Olivier Fortin, Julien Martin - Bach Transcriptions (2023) [Hi-Res]

Tracklist

01. Flute Sonata in E Major, BWV 1035: I. Adagio ma non tanto
02. Flute Sonata in E Major, BWV 1035: II. Allegro
03. Flute Sonata in E Major, BWV 1035: III. Siciliano
04. Flute Sonata in E Major, BWV 1035: IV. Allegro assai
05. Violin Sonata in B Minor, BWV 1014: III. Andante (Transcr. for Recorder and Harpsichord by Julien Martin and Olivier Fortin)
06. Organ Sonata No. 3 in D Minor, BWV 527 (Transcr. for Recorder and Harpsichord by Julien Martin and Olivier Fortin): I. Andante
07. Organ Sonata No. 3 in D Minor, BWV 527 (Transcr. for Recorder and Harpsichord by Julien Martin and Olivier Fortin): II. Adagio e dolce
08. Organ Sonata No. 3 in D Minor, BWV 527 (Transcr. for Recorder and Harpsichord by Julien Martin and Olivier Fortin): III. Vivace
09. Violin Partita No. 2 in D Minor, BWV 1004: V. Chaconne (Transcr. for Recorder and Harpsichord by Pierre Gouin)
10. Nun komm, der Heiden Heiland, BWV 659 (Transcr. for Recorder and Harpsichord by Julien Martin and Olivier Fortin)
11. Suite in C Minor, BWV 997 (Transcr. for Recorder and Harpsichord by Julien Martin and Olivier Fortin): I. Preludio
12. Suite in C Minor, BWV 997 (Transcr. for Recorder and Harpsichord by Julien Martin and Olivier Fortin): II. Fuga
13. Suite in C Minor, BWV 997 (Transcr. for Recorder and Harpsichord by Julien Martin and Olivier Fortin): III. Sarabande
14. Suite in C Minor, BWV 997 (Transcr. for Recorder and Harpsichord by Julien Martin and Olivier Fortin): IV. Gigue et double
15. Violin Sonata in C Minor, BWV 1017: I. Siciliano. Largo (Transcr. for Recorder and Harpsichord by Julien Martin and Olivier Fortin)



"Johann Sebastian Bach used the recorder in two Brandenburg concertos and some twenty cantatas and oratorios, but alas, he left us no sonata with harpsichord," say Julien Martin and Olivier Fortin. Arranging chamber music for a variety of instrumental ensembles was a widespread practice in the eighteenth century. Bach himself seems to have created a number of works that did not necessarily require the use of a specific instrument. Here Julien Martin and Olivier Fortin, musical partners for many years, present the Sonata in F major, originally written for transverse flute and continuo, transcriptions of the Trio Sonata for organ No. 3 in E minor, the Partita for violin No. 2 in G minor, and the Chorale 'Nun komm, der Heiden Heiland', whose extensive ornamental flourishes elongate and transform the chorale melody to the point of rendering it unrecognisable.

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