Nino Gvetadze - The Muse (2023) [Hi-Res]

  • 02 Nov, 21:45
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Artist:
Title: The Muse
Year Of Release: 2023
Label: Challenge Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks)
Total Time: 01:09:09
Total Size: 242 / 639 MB
WebSite:

Tracklist:

1. Händel Variations & Fugue, Op. 24: Aria (1:00)
2. Händel Variations & Fugue, Op. 24: Variation I (0:56)
3. Händel Variations & Fugue, Op. 24: Variation II. Animato (0:51)
4. Händel Variations & Fugue, Op. 24: Variation III. Dolce (0:46)
5. Händel Variations & Fugue, Op. 24: Variation IV. Risoluto (0:51)
6. Händel Variations & Fugue, Op. 24: Variation V. Espressivo (1:07)
7. Händel Variations & Fugue, Op. 24: Variation VI (1:13)
8. Händel Variations & Fugue, Op. 24: Variation VII. Con vivacita (0:36)
9. Händel Variations & Fugue, Op. 24: Variation VIII (0:36)
10. Händel Variations & Fugue, Op. 24: Variation IX. Poco sostenuto (1:37)
11. Händel Variations & Fugue, Op. 24: Variation X. Energico (0:35)
12. Händel Variations & Fugue, Op. 24: Variation XI. Dolce (0:42)
13. Händel Variations & Fugue, Op. 24: Variation XII. Soave (0:46)
14. Händel Variations & Fugue, Op. 24: Variation XIII. Largemente, ma non più (1:42)
15. Händel Variations & Fugue, Op. 24: Variation XIV. Sciolto (0:40)
16. Händel Variations & Fugue, Op. 24: Variation XV (0:45)
17. Händel Variations & Fugue, Op. 24: Variation XVI. Ma marcato (0:35)
18. Händel Variations & Fugue, Op. 24: Variation XVII. Più mosso (0:36)
19. Händel Variations & Fugue, Op. 24: Variation XVIII. Grazioso (1:04)
20. Händel Variations & Fugue, Op. 24: Variation XIX. Leggiero e vivace (1:06)
21. Händel Variations & Fugue, Op. 24: Variation XX. Legato (1:18)
22. Händel Variations & Fugue, Op. 24: Variation XXI. Dolce (1:03)
23. Händel Variations & Fugue, Op. 24: Variation XXII (0:56)
24. Händel Variations & Fugue, Op. 24: Variation XXIII. Vivace e staccato (0:36)
25. Händel Variations & Fugue, Op. 24: Variation XXIV (0:36)
26. Händel Variations & Fugue, Op. 24: Variation XXV (0:40)
27. Händel Variations & Fugue, Op. 24: Fugue (5:35)
28. Two Rhapsodies, Op. 79: Rhapsody No. 1 in B Minor. Agitato (10:28)
29. Two Rhapsodies, Op. 79: Rhapsody No. 2 in G Minor. Molto passionata, ma non troppo allegro (6:45)
30. Three Intermezzi, Op. 117: Intermezzo No. 1 in E-Flat Major. Andante moderato (5:33)
31. Three Intermezzi, Op. 117: Intermezzo No. 2 in B-Flat Minor. Andante non troppo e con molto espressione (5:08)
32. Three Intermezzi, Op. 117: Intermezzo No. 3 in C-Sharp Minor. Andante con moto (6:58)
33. Three Romanzes, Op. 21: Romanze No. 1 in A Minor. Andante (5:46)

The year 1860 represented a turning-point in Brahms’s life: he issued a ‘Manifesto’ in which he distanced himself from the Romanticism of the ‘New German School’ epitomised by Liszt and their association with Wagner’s music-dramas. This aesthetic change of heart placed an emphasis on hard work and craftsmanship rather than the more Romantic conception of inspiration, with Brahms taking a particular pride in being both German and a self-made man. This ethos is reflected in the Variations and Fugue on a Theme by Handel, Op. 24. Brahms’s two Rhapsodies, Op. 79 were composed in 1879 and were dedicated to his friend Elisabet von Herzogenberg. The title may lull the listener into a false sense of whimsy, when in reality these pieces are founded on clear structural designs. Three Intermezzos Op. 117: Brahms wrote of these three Intermezzos to his friend Rudolf von der Leyen, describing them as ‘Wiegenlieder meiner Schmerzen’: ‘lullabies of my sorrow’. Each has the character of a soliloquy or introspective personal reflection.

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Nino Gvetadze about this album: "Throughout his life, Brahms was influenced by those he admired: the musicians he idolized, and the women with whom he formed powerful bonds. Clara Schumann represented both, and Nino Gvetadze explores their fascinating dynamic in The Muse. Brahms’s Two Rhapsodies Op. 79 were dedicated to Elisabet von Herzogenberg, whose loss he mourned in the Intermezzos Op. 117; and he was inspired by Handel to write a phenomenal set of Variations dedicated to Clara Schumann – whose Op. 21 Romances date from a time that neither she nor Brahms would ever forget."



  • gemofroe
  •  12:05
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thanks for sharing
  • platico
  •  00:38
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gracias...