Takács Quartet, Marc-André Hamelin - Schumann: Piano Quintet; String Quartet No. 3 (2009)

Artist: Takács Quartet, Marc-André Hamelin
Title: Schumann: Piano Quintet; String Quartet No. 3
Year Of Release: 2009
Label: Hyperion
Genre: Classical
Quality: flac lossless (tracks) +Booklet
Total Time: 00:56:33
Total Size: 225 mb
WebSite: Album Preview
TracklistTitle: Schumann: Piano Quintet; String Quartet No. 3
Year Of Release: 2009
Label: Hyperion
Genre: Classical
Quality: flac lossless (tracks) +Booklet
Total Time: 00:56:33
Total Size: 225 mb
WebSite: Album Preview
01. Schumann: String Quartet in A Major, Op. 41 No. 3: I. Andante espressivo – Allegro molto moderato
02. Schumann: String Quartet in A Major, Op. 41 No. 3: II. Assai agitato – Un poco adagio – Tempo risoluto
03. Schumann: String Quartet in A Major, Op. 41 No. 3: III. Adagio molto
04. Schumann: String Quartet in A Major, Op. 41 No. 3: IV. Finale. Allegro molto vivace
05. Schumann: Piano Quintet in E-Flat Major, Op. 44: I. Allegro brillante
06. Schumann: Piano Quintet in E-Flat Major, Op. 44: II. In modo d'una marcia. Un poco largamente – Agitato
07. Schumann: Piano Quintet in E-Flat Major, Op. 44: III. Scherzo. Molto vivace
08. Schumann: Piano Quintet in E-Flat Major, Op. 44: IV. Allegro, ma non troppo
The peerless Takács Quartet, recently nominated for a Gramophone award for their second disc of Brahms’s string quartets, continue their fêted exploration of the Romantic chamber music tradition with this disc of Schumann.
The Piano Quintet in E flat major is by far Schumann’s most popular chamber work and one of the most beloved works in the genre. Schumann was the first romantic composer to pair the piano with the string quartet. It was written during the composer’s ‘chamber music year’ (1842) when, ‘in the first happiness of reunion with the piano, his creative imagination took on a new lease of life’ (Joan Chisell, Robert Schumann). Schumann had been studying the string quartets of Beethoven, Mozart and Haydn, and the String Quartet in A major Op 41 No 3 demonstrates these influences, but is written in a characteristic musical language and contains many highly original strokes, particularly the casting of the Scherzo as a set of variations.
The Takács Quartet are joined by Marc-André Hamelin in an invigorating partnership that has already been widely acclaimed on the concert platform.