Collegium Vocale Gent & Philippe Herrewegh - Bach: Leipzig Cantatas BWV 101, BWV 103 & BWV 115 (2017) [Hi-Res]

  • 01 Jan, 19:47
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Title: Bach: Leipzig Cantatas BWV 101, BWV 103 & BWV 115
Year Of Release: 2017
Label: Phi
Genre: Classical
Quality: flac lossless (image +.cue, log, artwork) / flac 24bits - 96.0kHz +Booklet
Total Time: 01:02:10
Total Size: 278 mb / 1.1 gb
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Tracklist

01. Nimm von uns, Herr, du treuer Gott in D Minor, BWV 101: I. Coro "Nimm von uns, Herr, du treuer Gott"
02. Nimm von uns, Herr, du treuer Gott in D Minor, BWV 101: II. Aria "Handle nicht nach deinen Rechten"
03. Nimm von uns, Herr, du treuer Gott in D Minor, BWV 101: III. Recitativo e choral "Ach! Herr Gott, durch die Treue dein"
04. Nimm von uns, Herr, du treuer Gott in D Minor, BWV 101: IV. Aria "Warum willst du so zornig sein?"
05. Nimm von uns, Herr, du treuer Gott in D Minor, BWV 101: V. Recitativo e choral "Die Sünd hat uns verderbet sehr"
06. Nimm von uns, Herr, du treuer Gott in D Minor, BWV 101: VI. Aria "Gedenk an Jesu bittern Tod"
07. Nimm von uns, Herr, du treuer Gott in D Minor, BWV 101: VII. Choral "Leit uns mit deiner rechten Hand"
08. Mache dich, mein Geist, bereit in G Major, BWV 115: I. Coro "Mache dich, mein Geist, bereit"
09. Mache dich, mein Geist, bereit in G Major, BWV 115: II. Aria "Ach schläfrige Seele, wie? ruhest du noch?"
10. Mache dich, mein Geist, bereit in G Major, BWV 115: III. Recitativo " Gott, so vor deine Seele wacht"
11. Mache dich, mein Geist, bereit in G Major, BWV 115: IV. Aria "Bete aber auch dabei"
12. Mache dich, mein Geist, bereit in G Major, BWV 115: V. Recitativo "Er sehnet sich nach unserm Schreien"
13. Mache dich, mein Geist, bereit in G Major, BWV 115: VI. Choral "Drum so laßt uns immerdar"
14. Ihr werdet weinen und heulen in B Minor, BWV 103: I. Coro e arioso "Ihr werdet weinen und heulen"
15. Ihr werdet weinen und heulen in B Minor, BWV 103: II. Recitativo "Wer sollte nicht in Klagen untergehn"
16. Ihr werdet weinen und heulen in B Minor, BWV 103: III. Aria "Kein Arzt ist außer dir zu finden"
17. Ihr werdet weinen und heulen in B Minor, BWV 103: IV. Recitativo "Du wirst mich nach der Angst auch wiederum erquicken"
18. Ihr werdet weinen und heulen in B Minor, BWV 103: V. Aria "Erholet euch, betrübte Sinnen"
19. Ihr werdet weinen und heulen in B Minor, BWV 103: VI. Choral "Ich hab dich einen Augenblick"

The Collegium Vocale is a vocal ensemble known for its authentic performances of Baroque and pre-Baroque music.

The name "Collegium Vocale" is a generic term for a vocal ensemble with connections to a center of learning or other scholarly background. This is the best-known of several groups using the term as their name, so to avoid confusion, it is often identified as the one founded in Ghent, Belgium. In 1970 the Belgian musician Philippe Herreweghe founded this Collegium Vocale to apply the fruits of researches into actual performance practices of the Baroque to vocal music performance. It was the first choir founded with an "authentic performance" purpose. Some of the issues involved include the proper use (or non-use) of such coloristic devices as vocal vibrato, and the appropriate and fluent use of ornamentation.

The Collegium quickly achieved a reputation for its historically informed performances of older music and found itself in demand by the leading conductors and orchestras in the early music movement. These included Gustav Leonhardt, Ton Koopman, and Nikolaus Harnoncourt, who were eager to match their period-instrument ensembles with a chorus founded on the same principles in recordings of the great Baroque repertoire. This tradition has continued with conductors such as Sigiswald Kuijken, Paul Van Nevel, and René Jacobs. Collegium Vocale has frequently appeared with original instrument groups such as the Vienna Concentus Musicus and La Petite Bande, as well as modern instrument ensembles like the Concertgebouw of Amsterdam and the Vienna Philharmonic.

The Collegium Vocale has not restricted its repertoire to the Baroque. It also frequently performs great polyphonic music of the Renaissance. It also has extended its repertory to the Classical and even the Romantic era and, on rarer occasions, music of its own time. However, it still remains best known for its performances of German Baroque music, especially that of Johann Sebastian Bach.

It has recorded widely on several labels, producing well over 60 recordings for such labels as French Harmonia Mundi, Virgin, Ricercare, Accent, and Telefunken (now Teldec). In 1993 it was appointed "Cultural Ambassador of Flanders" by the Flemish regional government, a recognition of its wide touring activities, which have taken it to Asia and both Americas in addition to frequent visits around Europe.





  • yotam
  •  07:43
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Thanks a lot!
  • Merry-Go-Round
  •  09:42
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Another fine release. Thank you for sharing!
  • platico
  •  20:06
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gracias...
  • topomono
  •  19:58
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Muchas gracias!!!!