Jean Guyot & Cinquecento - Te Deum Laudamus & Other Sacred Music (2017) [Hi-Res]
Artist: Jean Guyot, Cinquecento
Title: Te Deum Laudamus & Other Sacred Music
Year Of Release: 2017
Label: Hyperion / CDA68180
Genre: Classical
Quality: FLAC (tracks+.cue, log) / 24bit-88.2kHz FLAC (tracks+booklet)
Total Time: 63:18
Total Size: 268 MB / 1.06 GB
WebSite: Album Preview
Tracklist:Title: Te Deum Laudamus & Other Sacred Music
Year Of Release: 2017
Label: Hyperion / CDA68180
Genre: Classical
Quality: FLAC (tracks+.cue, log) / 24bit-88.2kHz FLAC (tracks+booklet)
Total Time: 63:18
Total Size: 268 MB / 1.06 GB
WebSite: Album Preview
Te Deum Patrem
1. Te Deum Patrem Ingenitum (03:54)
2. Gloria Patri Qui Creavit Nos (03:29)
3. O Florens Rosa (03:36)
4. Amen, Amen Dico Vobis (02:35)
5. Qui Manducat Meam Camem (02:39)
6. Accepit Jesus Panem (03:15)
7. Prudentes Virgines (03:46)
8. Fatuae Autem Sapientibus Dixerunt (04:09)
9. Omni Tempore Benedic Deum (02:18)
10. Bona Est Oatio In Ieiunuo (02:36)
11. Adorna Thalamum (02:48)
12. Accipiens Simeon Puerum In Manibus Suis (02:40)
13. Noe, Noe, Genuit Puerpera (04:08)
14. Ave Maria … Signum Magnum (04:29)
Te Deum Laudamus
15. Te Deum Laudamus (00:55)
16. Tibi Omnes Angeli (00:59)
17. Sanctus, Sanctus, Sanctus (01:29)
18. Pleni Sunt Caeli Et Terra (01:06)
19. Te Prophetarum Laudabilis Numerus (00:53)
20. Te Per Orbem Terrarum (00:52)
21. Venerandum Tuum Verum Et Unicum Filium (00:49)
22. Tu, Rex Gloriae, Christe (00:47)
23. Tu, Ad Liberandum Suscepturus Hominem (01:16)
24. Tu Ad Dexteram Dei Sedes (00:54)
25. Te Ergo Quaesumus (01:22)
26. Salvum Fac Populum Tuum, Domine (01:10)
27. Per Singulos Dies Benedicimus Te (01:05)
28. Dignare, Domine, Die Isto (01:29)
29. Fiat Misericordia Tua Domine Super Nos (01:50)
Jean Guyot was another of the composers of the post-Josquin generation active in the Low Countries in the mid-sixteenth century. (He was also a priest, author and teacher, although the details of much of his life remain vague.) Cinquecento has previously explored his secular music (on 'Amorosi pensieri'), but it was Guyot’s sacred music which was largely responsible for the high reputation he seemingly enjoyed in his lifetime. Cinquecento proves equally authoritative in both.
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