Mark Springer - Circa Rip Rig + Panic (2017)
Artist: Mark Springer
Title: Circa Rip Rig + Panic
Year Of Release: 2017
Label: Exit Records
Genre: Jazz, Free Improvisation
Quality: Mp3 320 / Flac (tracks)
Total Time: 38:50
Total Size: 96/186 Mb
WebSite: Album Preview
Tracklist:Title: Circa Rip Rig + Panic
Year Of Release: 2017
Label: Exit Records
Genre: Jazz, Free Improvisation
Quality: Mp3 320 / Flac (tracks)
Total Time: 38:50
Total Size: 96/186 Mb
WebSite: Album Preview
01. Sakura I 2:55
02. Walking Cello 2:18
03. Fuji Fuji 6:35
04. Threevolution 4:22
05. 1619 a Dutch Vessel Docks in the USA 5:08
06. Oh Lonesome Train 2:35
07. I've Got to Two Hand It to You 2:31
08. Sakura II 2:28
09. Viva X Dreams 4:30
10. Chasing the River 5:29
For many folks of a certain age, Bristol’s post-punk collective Rip Rig + Panic were a first point of contact with freeform jazz – particularly the eccentric, Cecil Taylor-like improvisations of their pianist Mark Springer. This collection of his early 80s offcuts, with assorted RR+P bandmates, features a doomy, gothic ballad recorded for a 1981 Peel Session with Velvet Underground singer Nico, and several tracks featuring David “Flash” Wright on tenor sax and the late Sean Oliver on double bass (together sounding like a particularly unhinged Ornette Coleman trio).
Most impressive are Springer’s lengthy solo explorations. I’ve Got to Two Hand It to You starts like Philip Glass and ends like a rumination from Keith Jarrett’s Köln Concert. Other tracks lurch between Erik Satie miniatures and spacious, Herbie Hancock-style modal improvisations, while never losing sight of melody or structure. A fascinating collection from an overlooked figure at the intersection of British pop and jazz.
Most impressive are Springer’s lengthy solo explorations. I’ve Got to Two Hand It to You starts like Philip Glass and ends like a rumination from Keith Jarrett’s Köln Concert. Other tracks lurch between Erik Satie miniatures and spacious, Herbie Hancock-style modal improvisations, while never losing sight of melody or structure. A fascinating collection from an overlooked figure at the intersection of British pop and jazz.