Rüdiger Lotter, Dorothee Oberlinger - The Enigmatic Art of The Veracinis (2007)

Tracklist

01. Violin Sonata No. 1: I. Preludio
02. Sonate accademiche in G Minor, Op. 2, No. 5: I. Adagio assai
03. Sonate accademiche in G Minor, Op. 2, No. 5: II. Allegro assai
04. Sonate accademiche in G Minor, Op. 2, No. 5: III. Allegro assai
05. Sonata a 3, Op. 1, No. 1: I. Grave
06. Sonata a 3, Op. 1, No. 1: II. Vivace
07. Sonata a 3, Op. 1, No. 1: III. Largo
08. Sonata a 3, Op. 1, No. 1: IV. Allegro
09. Sonata da camera, Op. 2, No. 3: I. Cantabile
10. Sonata da camera, Op. 2, No. 3: II. Vivace
11. Sonata da camera, Op. 2, No. 3: III. Largo
12. Sonata da camera, Op. 2, No. 3: IV. Aria. Largo
13. Sonata da camera, Op. 2, No. 3: V. Vivace
14. Sonate accademiche in D Minor, Op. 2, No. 12: I. Passagallo: Largo assai
15. Sonate accademiche in D Minor, Op. 2, No. 12: II. Allegro ma non presto
16. Sonate accademiche in D Minor, Op. 2, No. 12: III. Adagio
17. Sonate accademiche in D Minor, Op. 2, No. 12: IV. Ciaccona: Allegro ma non presto
18. Violin Sonata in G minor, Op. 1, No. 1: I. Overtura (Arr. For recorder and continuo)
19. Violin Sonata in G minor, Op. 1, No. 1: II. Aria. Affetuoso (Arr. For recorder and continuo)
20. Violin Sonata in G minor, Op. 1, No. 1: III. Paesana: Allegro (Arr. For recorder and continuo)
21. Violin Sonata in G minor, Op. 1, No. 1: IV. Minute: Allegro (Arr. For recorder and continuo)
22. Violin Sonata in G minor, Op. 1, No. 1: V. Giga - Postiglione: Allegro (Arr. For recorder and continuo)
23. Violin Sonata No. 1: I. Cantabile
24. Violin Sonata No. 1: II. Andante
25. Violin Sonata No. 1: III. Adagio
26. Violin Sonata No. 1: IV. Allegro, ma affetuoso



This release contains some spectacular playing of the music of this notoriously infamous father and son duo. Of their previous releases ‘Toccata’ magazine said of Rüdiger Lotter and Dorothee Oberlinger “How seriously these two musicians should be taken is not hard to hear: they demonstrate a high degree of musicality, perfection and a stylistically confident flair for the compositional basis..”

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