Ensemble Masques & Olivier Fortin - Bach & Bernier Routes du café (2019) [Hi-Res]
Artist: Ensemble Masques & Olivier Fortin
Title: Bach & Bernier Routes du café
Year Of Release: 2019
Label: Alpha
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:11:22
Total Size: 363 MB / 1.33 GB
WebSite: Album Preview
Tracklist:Title: Bach & Bernier Routes du café
Year Of Release: 2019
Label: Alpha
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:11:22
Total Size: 363 MB / 1.33 GB
WebSite: Album Preview
1. Ensemble Masques & Olivier Fortin – Taksim Ney (02:39)
2. Ensemble Masques & Olivier Fortin – Rast Dilârâ Peşrev (01:17)
3. Ensemble Masques & Olivier Fortin – Le Caffé: I. Prélude (01:30)
4. Hana Blažíková, Ensemble Masques & Olivier Fortin – Le Caffé: II. Récitatif (00:42)
5. Hana Blažíková, Ensemble Masques & Olivier Fortin – Le Caffé: III. Air (04:55)
6. Hana Blažíková, Ensemble Masques & Olivier Fortin – Le Caffé: IV. Récitatif (00:55)
7. Hana Blažíková, Ensemble Masques & Olivier Fortin – Le Caffé: V. Air gay (04:23)
8. Hana Blažíková, Ensemble Masques & Olivier Fortin – Le Caffé: VI. Récitatif (00:29)
9. Hana Blažíková, Ensemble Masques & Olivier Fortin – Le Caffé: VII. Air gay (05:07)
10. Ensemble Masques & Olivier Fortin – Taksim Oud (01:09)
11. Ensemble Masques & Olivier Fortin – Rast Dilârâ Saz Semâî (04:11)
12. Ensemble Masques & Olivier Fortin – Taksim Ney II (00:56)
13. Ensemble Masques & Olivier Fortin – Troisième livre de viole: Saillie du café (02:27)
14. Ensemble Masques & Olivier Fortin – Taksim Kaman (02:39)
15. Ensemble Masques & Olivier Fortin – Wahda Sarabande (03:51)
16. Ensemble Masques & Olivier Fortin – Consort of Fower Parts: Fantasia in D Minor (04:49)
17. Ensemble Masques & Olivier Fortin – Taksim & Mahur Peşrev (03:45)
18. Reinoud Van Mechelen, Ensemble Masques & Olivier Fortin – Coffee Cantata "Schweigt stille, plaudert nicht", BWV 211: I. Recitative (00:39)
19. Lisandro Abadie, Ensemble Masques & Olivier Fortin – Coffee Cantata "Schweigt stille, plaudert nicht", BWV 211: II. Aria (02:56)
20. Lisandro Abadie, Hana Blažíková, Ensemble Masques & Olivier Fortin – Coffee Cantata "Schweigt stille, plaudert nicht", BWV 211: III. Recitative (00:38)
21. Hana Blažíková, Ensemble Masques & Olivier Fortin – Coffee Cantata "Schweigt stille, plaudert nicht", BWV 211: IV. Aria (04:22)
22. Lisandro Abadie, Hana Blažíková, Ensemble Masques & Olivier Fortin – Coffee Cantata "Schweigt stille, plaudert nicht", BWV 211: V. Recitative (01:08)
23. Lisandro Abadie, Ensemble Masques & Olivier Fortin – Coffee Cantata "Schweigt stille, plaudert nicht", BWV 211: VI. Aria (03:05)
24. Lisandro Abadie/ Hana Blažíková, Ensemble Masques & Olivier Fortin – Coffee Cantata "Schweigt stille, plaudert nicht", BWV 211: VII. Recitative (00:47)
25. Hana Blažíková, Ensemble Masques & Olivier Fortin – Coffee Cantata "Schweigt stille, plaudert nicht", BWV 211: VIII. Aria (06:46)
26. Reinoud Van Mechelen, Ensemble Masques & Olivier Fortin – Coffee Cantata "Schweigt stille, plaudert nicht", BWV 211: IX. Recitative (00:47)
27. Lisandro Abadie, Reinoud Van Mechelen, Ensemble Masques & Olivier Fortin – Coffee Cantata "Schweigt stille, plaudert nicht", BWV 211: X. Choral (04:30)
The history of coffee is fascinating! From the opening of the first establishments in Constantinople in the middle of the sixteenth century to the appearance and diffusion of the drink in Europe in the following century, coffee and coffee houses were highly fashionable. Two composers devoted a cantata to the topic. Gottfried Zimmermann opened his famous coffee house in Leipzig in 1715 and organised concerts there. Around 1735, Bach composed his famous cantata Schweigt still, plaudert nicht, which was probably performed there. It depicts the humorous dispute between a father and his daughter over her consumption of coffee. In Paris, Nicolas Bernier’s cantata Le Caffé (1664-1734) praised the beverage and its many virtues. The ‘Coffee Road’ Olivier Fortin has mapped out here makes a detour to London around 1660, where the composer Matthew Locke frequented the Turk’s Head Coffee House and promoted a string fantasia. Fortin has chosen to organise this album like a fasil, a ‘suite of pieces’ in traditional Ottoman music, with taqsims (improvisations) interspersed among the compositions and played on such instruments as the ney flute, the Arab violin and the yayli tanbur.
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