Pierre Dorge & New Jungle Orchestra - Music From The Danish Jungle (1996)

27 Feb, 22:06
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Artist: Pierre Dorge & New Jungle Orchestra
Title: Music From The Danish Jungle
Year Of Release: 1996
Label: Dacapo [DCCD 9423]
Genre: Jazz, Contemporary Jazz
Quality: FLAC (tracks + .cue,log,scans) | MP3/320 kbps
Total Time: 72:44
Total Size: 470 MB(+3%) | 172 MB(+3%)
WebSite: Album Preview

Tracklist

01. Ritus Huju #1 (Dorge) - 4:35
02. Fullmoon for a Rhino (Dorge) - 5:51
03. Mango for Mingus (Dorge) - 8:06
04. Det koster ej for megen strid (Nielsen) - 3:19
05. The Emigmatic Bird (Dorge) - 6:02
06. Autumn in Saltum (Becker) - 5:50
07. Pirup (Becker) - 4:14
08. Carrier-Pigeon's Perspective (Dorge) - 4:21
09. Jubee Jubee (Dorge) - 5:33
10. Skorping After Dark (Dorge) - 2:51
11. Kalahari Shuffle (Becker) - 4:24
12. Hva' si'r du? (Zeuthen) - 3:28
13. Give Me a Break (Clausen) - 3:33
14. Ritus Russulu Huju #2 (Dorge) - 10:37

personnel :

Pierre Dorge - leader, guitar, Tibetan trumpet, vocals, arco cumbus
Jesper Zeuthen - alto saxophone, bass clarinet
Morten Carlsen - taragot, tenor saxophone, Chinese cymbals
Kenneth Agerholm - trombone (right channel), vocals, African trumpet
Mads Hyhne - trombone (left channel), Tibetan trumpet
Irene Becker - piano, keyboards, vocals
Hugo Rasmussen - bass, small Indian cymbals
Ayi Solomon - percussion
Bent Clausen - drums
Aviaja Lumholt - solo vocals (#1,14)

Released in 1996, Music From The Danish Jungle represents a good snapshot of a thriving and ever evolving Danish jazz scene. A haven for American jazz musicians seeking acceptance from audiences during the 1960's and early 1970's, Denmark has stood on firm ground in the jazz arena for many years. Prior to the influx of American jazz musicians, Denmark and Scandinavia alike continue to thrive as guitarist Pierre Dorge & New Jungle Orchestra spawn kaleidoscopic and cheerful arrangements that can often rejuvenate the soul's idle spirits.
Dorge's composition "Ritus Huju #1" features African tribal rhythms, flashy accents from the horn section and clear concise lead guitar work from Dorge. From the onset it is evident that this band pursues thematic development that hinges on African, and at times Caribbean elements coupled with bright, well-stated horn arrangements. On Dorge's "Mango For Mingus" the band creates a subtle Latin vibe with pleasant yet brassy horn charts. The melody line does in fact touch on a typical Charles Mingus small scale horn arrangement; however, digging deeper one can trace an arrangement of this ilk back to Duke Ellington whom of course served as a major inspiration for Mingus. Dorge's "Enigmatic Bird" is a sweet-tempered and engaging composition featuring Jesper Zeuthen's fluent and appealing alto sax work. Here, the mood evokes that of a USA West Coast feel and perhaps reminiscent of the late Oliver Nelson's generally cheerful and resplendent horn arrangements. Keyboardist Irene Becker composed "Autumn in Saltum" which gleefully insinuates a somewhat typical 1960's wall of sound Movie soundtrack. Here, Dorge is in sharp form with some impressive lead guitar work while the brass work evokes vivid images of one of those 1960's British detective or spy movies. This writer imagined James Bond (Sean Connery) cruising the Swiss Alps in his Aston-Martin perhaps enroute to save mankind from sinister forces. Becker's "Kalahari Shuffle" is a toe-tapping rhythmic delight featuring slick guitar work from Dorge, which balances the rather feisty horn arrangements. Bent Clausen's "Give Me A Break" is a light-hearted yet innocent foot stomping rocker with dance hall like brass arrangements from the band.
Throughout this recording there are several somber interludes while a few of these arrangements frequently allude to a modern free-jazz approach; although, these welcome diversions gradually segue into more familiar and contemporary turf.
Music From The Danish Jungle will put a smile on your face. It's clever and loads of fun while the band quickly establishes its own identity from the first track onward. These Danes are on the ball. The rhythmic structures, tight yet upbeat horn arrangements and overall sense of charm makes for an enlightening and entertaining musical experience.~ Glenn Astarita

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