Raymond Clarke - Simpson: The Complete Solo Piano Music (1996)

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Artist:
Title: Simpson: The Complete Solo Piano Music
Year Of Release: 1996
Label: Hyperion
Genre: Classical Piano
Quality: flac lossless (tracks) +Booklet
Total Time: 01:05:22
Total Size: 179 mb
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Tracklist

01. Piano Sonata: I. Allegro molto moderato
02. Piano Sonata: II. Molto adagio e tranquillo
03. Piano Sonata: III. Allegro vivace
04. Variations & Finale on a Theme of Haydn: Theme. Tempo di menuetto
05. Variations & Finale on a Theme of Haydn: Var. 1-4
06. Variations & Finale on a Theme of Haydn: Var. 5-8
07. Variations & Finale on a Theme of Haydn: Var. 9-12
08. Variations & Finale on a Theme of Haydn: Finale. Allegro moderato
09. Michael Tippett, His Mystery
10. Variations & Finale on a Theme by Beethoven: Theme. Allegretto quasi andante
11. Variations & Finale on a Theme by Beethoven: Var. 1-11
12. Variations & Finale on a Theme by Beethoven: Var. 12-21
13. Variations & Finale on a Theme by Beethoven: Var. 22-23
14. Variations & Finale on a Theme by Beethoven: Finale

Issued to celebrate the seventy-fifth birthday of Robert Simpson on 2 March 1996.

This, the seventeenth issue in the Hyperion cycle of the works of the prolific composer Robert Simpson, features all of his works for solo piano. The programme opens with the Sonata from 1946. This is Simpson's first published work and already shows traces of that large-scale organization of tonality which so characterizes his output.

The Variations on a theme of Haydn takes the palindromic theme from Haydn's Symphony No 47 (also found in his piano Sonata No 41 and Simpson's own ninth String Quartet) and is a fascinating exercise in the rhythmic structure of music as well in basic tonality.

Written for a symposium celebrating the life and works of Tippett, Michael Tippett, his mystery was first performed in 1993 by the soloist on this recording, Raymond Clarke, for whom Variations on a theme of Beethoven was also written (Simpson having heard the pianist give an impressive performance of Beethoven's Opus 111). Here the theme is a little-known miniature inscribed by Beethoven in a visitors' book in 1825. Simpson's work is similarly a triumph of organization in miniature.