Florian Boesch, Roger Vignoles - Carl Loewe: Songs & Ballads (2011)

Tracklist

01. 3 Balladen, Op. 1: No. 1, Edward
02. Tom der Reimer, Op. 135a
03. 3 Balladen, Op. 1: No. 3, Erlkönig
04. 3 Balladen, Op. 2: No. 2, Herr Oluf
05. Gesammelte Lieder, Op. 9, Book 1: No. 3a, Über allen Gipfeln ist Ruh' "Wandrers Nachtlied"
06. Gesammelte Lieder, Op. 9, Book 1: No. 3b, Der du von dem Himmel bist "Wandrers Nachtlied"
07. Gesammelte Lieder, Op. 9, Book 6: No. 5, Graf Eberstein
08. Gesammelte Lieder, Op. 9, Book 8: No. 3, Lynceus, der Thürmer, auf Fausts Sternwarte singend
09. Rückerts Gedichte, Op. 62, Book 1: No. 4, Süsses Begräbnis
10. Rückerts Gedichte, Op. 62, Book 1: No. 5, Hinkende Jamben
11. 3 Balladen, Op. 20: No. 3, Die wandelnde Glocke
12. Im Vorübergehen, Op. 81 No. 1 (Arr. Schneider)
13. Der Pilgrim vor St Just, Op. 99 No. 3
14. Odins Meeresritt, oder Der Schmied auf Helgoland, Op. 118
15. Die Uhr, Op. 123 No. 3
16. 3 Balladen, Op. 1: No. 2, Der Wirthin Töchterlein
17. Liederkranz für die Bassstimme, Op. 145: No. 1, Meeresleuchten
18. Liederkranz für die Bassstimme, Op. 145: No. 3, Im Sturme
19. Liederkranz für die Bassstimme, Op. 145: No. 4, Heimlichkeit
20. Liederkranz für die Bassstimme, Op. 145: No. 5, Reiterlied

In his lifetime the German composer Carl Loewe was often referred to as the ‘Schubert of North Germany’. He is frequently credited with the development of the romantic ballad into a powerful art form, and his prolific output of ballads and songs amounts to some four hundred works. Loewe’s treatment of long narrative poems in a clever and powerful mixture of dramatic and lyrical styles, has been a template for many subsequent composers.

Many of the ballads on this disc are masterpieces of their genre and they are performed here in a magisterial Hyperion debut by Austrian baritone Florian Boesch. In these refined performances it is clear why Boesch has been labelled as ‘one of the finest interpreters of Lieder of his generation’. His ability to create characters and enact stories brings the dramatic texts vividly to life, while he maintains musical coherence with astonishing lyricism.

Loewe’s daring and imaginative accompaniments are played here by the incomparable Roger Vignoles, in another addition to his acclaimed discography of Hyperion recordings. His eloquent pianism and penetrating musicianship match Boesch’s artistry to perfection.

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