Stefan Plewniak, Elsa Dreisig, Fatma Said, Jakub Józef Orliński & Il Giardino d'Amore - Gluck: Orfeo ed Euridice, Wq. 30 (2024) [Hi-Res]
Artist: Stefan Plewniak, Elsa Dreisig, Fatma Said, Jakub Józef Orliński, Il Giardino d'Amore
Title: Gluck: Orfeo ed Euridice, Wq. 30
Year Of Release: 2024
Label: Warner Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:24:27
Total Size: 422 MB / 1.62 GB
WebSite: Album Preview
Tracklist:Title: Gluck: Orfeo ed Euridice, Wq. 30
Year Of Release: 2024
Label: Warner Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:24:27
Total Size: 422 MB / 1.62 GB
WebSite: Album Preview
1. Gluck: Orfeo ed Euridice, Wq. 30: Sinfonia (2:47)
2. Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Ah se intorno a quest'urna funesta" (Coro, Orfeo) (2:52)
3. Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Basta, basta o compagni" (Orfeo) (0:48)
4. Gluck: Orfeo ed Euridice, Wq. 30, Act 1: Ballo. Tempo di minuè (2:27)
5. Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Ah se intorno a quest'urna funesta" (Coro) (2:06)
6. Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Chiamo il mio ben così" (Orfeo) (5:44)
7. Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Numi, barbari Numi!" (Orfeo) (1:05)
8. Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "T'assiste Amore!" (Amore, Orfeo) (1:48)
9. Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Gli sguardi trattieni" (Amore) (2:49)
10. Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Che disse? Che ascoltai?" (Orfeo) (2:17)
11. Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo di furie e Spettri - "Chi mai dell'Erebo" - "Mille pene" (Coro, Orfeo) (12:44)
12. Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi (1:53)
13. Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Che puro ciel!" (Orfeo, Coro) (4:40)
14. Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Vieni a' regni del riposo" (Coro) (1:30)
15. Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo (2:01)
16. Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro) (2:12)
17. Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Vieni, segui i miei passi" (Orfeo, Euridice) (4:54)
18. Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Vieni appaga il tuo consorte" (Orfeo, Euridice) (3:22)
19. Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Qual vita e questa mai" (Euridice) (2:11)
20. Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Che fiero momento" (Euridice) (3:10)
21. Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Ecco un nuovo tormento" (Orfeo, Euridice) (3:45)
22. Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Che farò senza Euridice" (Orfeo) (4:18)
23. Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Ah finisca e per sempre" (Orfeo) (1:11)
24. Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Orfeo che fai?" (Orfeo, Amore, Euridice) (1:42)
25. Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Sinfonia (0:22)
26. Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso (2:04)
27. Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: II. Allegro (2:21)
28. Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: III. Andante (1:04)
29. Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: IV. Allegro (2:20)
30. Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Trionfi Amore!" (Orfeo, Amore, Euridice, Coro) (2:18)
Orfeo in Gluck’s opera Orfeo & Euridice has become a signature role for Jakub Józef Orliński on stages around the world. Now the countertenor embodies the mythical Greek bard in a recording that for him is the realisation of a dream. Made in his native Warsaw, it is conducted by the dynamic Stefan Plewniak and the instrumentalists and chorus are drawn from his ensemble Il Giardino d’Amore. The roles of Orfeo’s wife Euridice and the god Amore are taken by two further rising stars of the opera and concert stage: the sopranos Elsa Dreisig and Fatma Said. Orliński has acted as producer, casting director, and, with Stefan Plewniak, joint artistic director of the recording. “One of my great dreams as a student was to sing the role of Orfeo,” says Orliński, “and now I’ve been lucky enough to perform Orfeo & Euridice in different settings … Working on those different versions I achieved my very own interpretation. I knew that I would love to create my own personal version of the piece, to record my dream role, expressing myself in the way I wanted … I had a clear vision of what I wanted to do with it and how. The most important thing for me as a musician is to have great collaborators, and I couldn’t imagine a better team. Everyone was so willing to make the most of every single take during our long recording sessions. I am really grateful that I can work with people with so much passion … And now I invite you to follow Orfeo on his journey and listen to what the power of love can do.”
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