Combattimento - Bach Restored (2024) [Hi-Res]

Tracklist

01. Concerto for Two Violins in D Minor, BWV 1063r: I. Allegro
02. Concerto for Two Violins in D Minor, BWV 1063r: II. Alla Siciliana
03. Concerto for Two Violins in D Minor, BWV 1063r: III. Allegro
04. Concerto for Violin in G Minor, BWV 1056r: I. Allegro
05. Concerto for Violin in G Minor, BWV 1056r: II. Largo
06. Concerto for Violin in G Minor, BWV 1056r: III. Presto
07. Concerto for Three Violins in D Major, BWV 1064r: I. Allegro
08. Concerto for Three Violins in D Major, BWV 1064r: II. Adagio
09. Concerto for Three Violins in D Major, BWV 1064r: III. Allegro
10. Partita for Violin and Lute in G Minor, BWV 997r: I. Preludio
11. Partita for Violin and Lute in G Minor, BWV 997r: II. Fuga
12. Partita for Violin and Lute in G Minor, BWV 997r: III. Sarabande
13. Partita for Violin and Lute in G Minor, BWV 997r: IV. Gigue
14. Partita for Violin and Lute in G Minor, BWV 997r: V. Double
15. Concerto for Harpsichord in D Minor, BWV 1059r: I. Allegro
16. Concerto for Harpsichord in D Minor, BWV 1059r: II. Adagio
17. Concerto for Harpsichord in D Minor, BWV 1059r: III. Presto

We know from an anecdote recorded in the early 19th century that Johann Sebastian Bach's wrote his two concerti for three harpsichords and strings (BWV 1063-64) with the express purpose of playing them with his two eldest sons Wilhelm Friedemann and Carl Philipp Emanuel. In all likelihood these pieces originated in the early 1730s, when both brilliant youngsters were still at home, possibly with an eye to introducing his sons via these concerti to the Leipzig Collegium Musicum, of which father Bach had assumed leadership in 1729.

This pair of triple concertos undoubtedly form arrangements of lost originals with solo melody instruments. But in contrast with the concertos for a single harpsichord (as well as two of the concerti for two harpsichords), no autograph sources are known for them. They only survive in copies, the earliest of which are by Bach's pupil Johann Friedrich Agricola, who made them made around 1740 (Concerto in C major BWV 1064) and after 1750 (Concerto in D minor BWV 1063) respectively.

COMBATTIMENTO is one of the world's foremost ensembles specializing in early music on modern instruments. Their core repertoire is comprised of 17th and 18th century Baroque music, from well-loved masterpieces to those completely unknown.

They strive to bridge the gap between old and new, between traditional and modern, between the audience and the music. They do this through diverse and accessible programs that are relevant to today's world.

Combattimento regularly makes high-quality video and CD recordings. They specifically choose rare repertoire: underrated masterpieces, newly composed baroque-inspired pieces, and reconstructions by our own resident musicologist and co-artistic director Pieter Dirksen.

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