Art Blakey - Masters of Jazz Presents Art Blakey (1954-1960 Essential Works) (2024) [Hi-Res]

Artist: Art Blakey
Title: Masters of Jazz Presents Art Blakey (1954-1960 Essential Works)
Year Of Release: 2024
Label: BDMUSIC
Genre: Jazz
Quality: 24bit-44.1kHz FLAC (tracks)
Total Time: 01:23:06
Total Size: 453 MB
WebSite: Album Preview
Tracklist:Title: Masters of Jazz Presents Art Blakey (1954-1960 Essential Works)
Year Of Release: 2024
Label: BDMUSIC
Genre: Jazz
Quality: 24bit-44.1kHz FLAC (tracks)
Total Time: 01:23:06
Total Size: 453 MB
WebSite: Album Preview
1. Moanin' (9:35)
2. Doodlin' (6:46)
3. Ecaroh (6:05)
4. Des femmes disparaissent (Générique) (2:47)
5. Blues for Vava (From Des femmes disparaissent) (3:31)
6. Ne chuchote pas (From Des femmes disparaissent) (1:26)
7. No Hay Problema (From Les liaisons dangereuses) (4:36)
8. Night Watch (8:24)
9. Buhaina Chant (10:28)
10. Split Skins (8:56)
11. A Night in Tunisia (12:55)
12. The Sacrifice (7:44)
Art Blakey was an exceptional musician, but not only because he succeeded in recruiting the best players to join his Messengers. He also had the skill to blaze new trails through forms of jazz that continuously evolved. Beginning in the Forties with the big bands of Fletcher Henderson and Billy Eckstine, he went on to play with Charlie Parker, Thelonious Monk and Dizzy Gillespie… And then Blakey met up with Horace Silver in the mid-Fifties to found the Jazz Messengers. It was with this band that Blakey would open his arms to all the best young musicians of this generation: he nurtured the likes of Hank Mobley, Jackie McLean, Lee Morgan,
Wayne Shorter, Freddie Hubbard and many others. The first two sides of this album give an all too brief illustration of this aspect of the drummer, while sides three and four feature the inventiveness and rhythmical sense of a great percussionist who never renounced his African origins.
Wayne Shorter, Freddie Hubbard and many others. The first two sides of this album give an all too brief illustration of this aspect of the drummer, while sides three and four feature the inventiveness and rhythmical sense of a great percussionist who never renounced his African origins.