Deutsche Staatsphilharmonie Rheinland-Pfalz and Michael Francis - Beethoven: The Mahler Re-Orchestrations (2024) [Hi-Res]
Artist: Deutsche Staatsphilharmonie Rheinland-Pfalz, Michael Francis
Title: Beethoven: The Mahler Re-Orchestrations
Year Of Release: 2024
Label: CapriccioNR
Genre: Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks)
Total Time: 03:50:13
Total Size: 834 MB / 2.12 GB
WebSite: Album Preview
Tracklist:Title: Beethoven: The Mahler Re-Orchestrations
Year Of Release: 2024
Label: CapriccioNR
Genre: Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks)
Total Time: 03:50:13
Total Size: 834 MB / 2.12 GB
WebSite: Album Preview
CD1
1. Symphony No. 5 in C Minor, Op. 67 (Arr. for Orchestra by Gustav Mahler): I. Allegro con brio (6:51)
2. Symphony No. 5 in C Minor, Op. 67 (Arr. for Orchestra by Gustav Mahler): II. Andante con moto (8:55)
3. Symphony No. 5 in C Minor, Op. 67 (Arr. for Orchestra by Gustav Mahler): III. Scherzo. Allegro (4:49)
4. Symphony No. 5 in C Minor, Op. 67 (Arr. for Orchestra by Gustav Mahler): IV. Allegro (8:16)
5. Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" (Arr. for Orchestra by Gustav Mahler): I. Allegro con brio (13:50)
6. Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" (Arr. for Orchestra by Gustav Mahler): II. Marcia funebre. Adagio assai (15:09)
7. Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" (Arr. for Orchestra by Gustav Mahler): III. Scherzo. Allegro vivace (5:45)
8. Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" (Arr. for Orchestra by Gustav Mahler): IV. Finale. Allegro molto (11:46)
CD2
1. Coriolan Overture, Op. 62 (Arr. for Orchestra by Gustav Mahler) (7:47)
2. Symphony No. 7 in A Major, Op. 92 (Arr. for Orchestra by Gustav Mahler): I. Poco sostenuto - Vivace (12:08)
3. Symphony No. 7 in A Major, Op. 92 (Arr. for Orchestra by Gustav Mahler): II. Allegretto (8:34)
4. Symphony No. 7 in A Major, Op. 92 (Arr. for Orchestra by Gustav Mahler): III. Presto (8:11)
5. Symphony No. 7 in A Major, Op. 92 (Arr. for Orchestra by Gustav Mahler): IV. Allegro con brio (6:29)
6. String Quartet No. 11 in F Minor, Op. 95 "Serioso" (Arr. for Orchestra by Gustav Mahler): I. Allegro con brio (4:23)
7. String Quartet No. 11 in F Minor, Op. 95 "Serioso" (Arr. for Orchestra by Gustav Mahler): II. Allegretto ma non troppo (6:56)
8. String Quartet No. 11 in F Minor, Op. 95 "Serioso" (Arr. for Orchestra by Gustav Mahler): III. Allegro assai vivace ma serioso (4:34)
9. String Quartet No. 11 in F Minor, Op. 95 "Serioso" (Arr. for Orchestra by Gustav Mahler): IV. Larghetto espressivo - Allegretto ag (4:42)
10. Leonore Overture No. 2 in C Major, Op. 72a (Arr. for Orchestra by Gustav Mahler) (13:25)
CD3
1. Leonore Overture No. 3 in C Major, Op. 72b (Arr. for Orchestra by Gustav Mahler) (13:25)
2. Symphony No. 9 in D Minor, Op. 125 "Choral" (Arr. for Orchestra by Gustav Mahler): I. Allegro ma non troppo, un poco maestoso (Live) (15:10)
3. Symphony No. 9 in D Minor, Op. 125 "Choral" (Arr. for Orchestra by Gustav Mahler): II. Scherzo. Molto vivace (Live) (12:02)
4. Symphony No. 9 in D Minor, Op. 125 "Choral" (Arr. for Orchestra by Gustav Mahler): III. Adagio molto e cantabile (Live) (13:43)
5. Symphony No. 9 in D Minor, Op. 125 "Choral" (Arr. for Orchestra by Gustav Mahler): IV. Finale. Presto (Live) (23:33)
Whenever Gustav Mahler spoke of Beethoven, he did so with an air of reverence: "Among poets and composers of more recent times we can, perhaps, name but three: Shakespeare, Beethoven, and Wagner.” And yet, Mahler the conductor considered Beethoven’s scores primarily a challenge; material that needed adapting and adopting to the orchestras and concert halls of his time. Richard Wagner had already prepared Beethoven’s scores and written about it in great detail. The balance of sound of the classical orchestra was off, and a return to previous states was out of the question, given the increased size of the concert halls. People knew of their existence, but it was not until 1927 that Erwin Stein, the composer, pianist, and music journalist active in Schoenberg’s circles, was able to report that all of Mahler’s conductor’s scores, replete with his “Retuschen” (retouchings), had in fact survived.
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