George Li - Movements. Schumann, Ravel & Stravinsky (2024) [Hi-Res]
Artist: George Li
Title: Movements. Schumann, Ravel & Stravinsky
Year Of Release: 2024
Label: Warner Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:15:32
Total Size: 209 MB / 1.21 MB
WebSite: Album Preview
Tracklist:Title: Movements. Schumann, Ravel & Stravinsky
Year Of Release: 2024
Label: Warner Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:15:32
Total Size: 209 MB / 1.21 MB
WebSite: Album Preview
1. Arabeske in C Major, Op. 18 (6:36)
2. Davidsbündlertänze, Op. 6, Heft I: No. 1, Lebhaft (1:32)
3. Davidsbündlertänze, Op. 6, Heft I: No. 2, Innig (1:41)
4. Davidsbündlertänze, Op. 6, Heft I: No. 3, Mit Humor (1:19)
5. Davidsbündlertänze, Op. 6, Heft I: No. 4, Ungeduldig (0:49)
6. Davidsbündlertänze, Op. 6, Heft I: No. 5, Einfach (2:22)
7. Davidsbündlertänze, Op. 6, Heft I: No. 6, Sehr rasch (1:45)
8. Davidsbündlertänze, Op. 6, Heft I: No. 7, Nicht schnell (4:33)
9. Davidsbündlertänze, Op. 6, Heft I: No. 8, Frisch (1:00)
10. Davidsbündlertänze, Op. 6, Heft I: No. 9, Lebhaft (1:51)
11. Davidsbündlertänze, Op. 6, Heft II: No. 10, Balladenmäßig. Sehr rasch (1:43)
12. Davidsbündlertänze, Op. 6, Heft II: No. 11, Einfach (2:24)
13. Davidsbündlertänze, Op. 6, Heft II: No. 12, Mit Humor (0:45)
14. Davidsbündlertänze, Op. 6, Heft II: No. 13, Wild und lustig (3:26)
15. Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend (1:53)
16. Davidsbündlertänze, Op. 6, Heft II: No. 15, Frisch (1:49)
17. Davidsbündlertänze, Op. 6, Heft II: No. 16, Mit gutem Humor (1:26)
18. Davidsbündlertänze, Op. 6, Heft II: No. 17, Wie aus der Ferne (4:25)
19. Davidsbündlertänze, Op. 6, Heft II: No. 18, Nicht schnell (2:20)
20. Valses nobles et sentimentales, M. 61: No. 1, Modéré, très franc (1:12)
21. Valses nobles et sentimentales, M. 61: No. 2, Assez lent, avec une expression intense (2:27)
22. Valses nobles et sentimentales, M. 61: No. 3, Modéré (1:26)
23. Valses nobles et sentimentales, M. 61: No. 4, Assez animé (1:17)
24. Valses nobles et sentimentales, M. 61: No. 5, Presque lent, dans un sentiment intime (1:27)
25. Valses nobles et sentimentales, M. 61: No. 6, Vif (0:45)
26. Valses nobles et sentimentales, M. 61: No. 7, Moins vif (2:42)
27. Valses nobles et sentimentales, M. 61: No. 8, Épilogue. Lent (4:12)
28. Three Movements from Petrushka: I. Russian Dance (2:35)
29. Three Movements from Petrushka: II. Petrushka’s Room (4:49)
30. Three Movements from Petrushka: III. The Shrovetide Fair (9:15)
In choosing Movements as the title for this album of piano works, George Li highlights both their structure and their dancing spirit: the 18 movements of Schumann’s Davidsbündlertänze (supplemented by his Arabeske in C major) are followed by Ravel’s eight Valses nobles et sentimentales and three movements from Stravinsky’s score for the ballet Petruskha.
“There are intriguing and intoxicating elements in this dance programme that captured me from the outset when crafting it,” says the Boston-born pianist. “Broadly speaking, I love the effects of colour and harmony in these works, as well as the general feeling of an evolution, or perhaps a continuous battle, between the introverted and extroverted impulses … The Davidsbündlertänze embodies the full spectrum of human emotion – despair, anxiety, sorrow, triumph, bliss, or pure love, to name a few … Another fascinating element in this program is the motivic and harmonic threads which connect the smaller pieces into a cohesive whole. Recently, I’ve developed a great obsession with learning how to weave musical moments into a single overarching architectural narrative. This program offers a different challenge – giving space for each musical moment to be its own distinct individual voice, while also still maintaining the narrative arc …”
“There are intriguing and intoxicating elements in this dance programme that captured me from the outset when crafting it,” says the Boston-born pianist. “Broadly speaking, I love the effects of colour and harmony in these works, as well as the general feeling of an evolution, or perhaps a continuous battle, between the introverted and extroverted impulses … The Davidsbündlertänze embodies the full spectrum of human emotion – despair, anxiety, sorrow, triumph, bliss, or pure love, to name a few … Another fascinating element in this program is the motivic and harmonic threads which connect the smaller pieces into a cohesive whole. Recently, I’ve developed a great obsession with learning how to weave musical moments into a single overarching architectural narrative. This program offers a different challenge – giving space for each musical moment to be its own distinct individual voice, while also still maintaining the narrative arc …”
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