Scott Ross - Frescobaldi: Toccatas et danses (2024)
Artist: Scott Ross
Title: Frescobaldi: Toccatas et danses
Year Of Release: 2024
Label: Warner Classics
Genre: Classical
Quality: FLAC (tracks)
Total Time: 70:18 min
Total Size: 435 MB
WebSite: Album Preview
Tracklist:Title: Frescobaldi: Toccatas et danses
Year Of Release: 2024
Label: Warner Classics
Genre: Classical
Quality: FLAC (tracks)
Total Time: 70:18 min
Total Size: 435 MB
WebSite: Album Preview
01. Frescobaldi: Il primo libro di toccate d'intavolatura di cimbalo: Toccata prima
02. Frescobaldi: Il primo libro di toccate d'intavolatura di cimbalo: Toccata ottava
03. Frescobaldi: Il primo libro di toccate d'intavolatura di cimbalo: Toccata nona
04. Frescobaldi: Il primo libro di toccate d'intavolatura di cimbalo: Toccata decima
05. Frescobaldi: Il primo libro di toccate d'intavolatura di cimbalo: Partite sopra l'aria della Romanesca: Prima parte
06. Frescobaldi: Il primo libro di toccate d'intavolatura di cimbalo: Partite sopra l'aria della Romanesca: Seconda parte
07. Frescobaldi: Il primo libro di toccate d'intavolatura di cimbalo: Partite sopra l'aria della Romanesca: Terza parte
08. Frescobaldi: Il primo libro di toccate d'intavolatura di cimbalo: Partite sopra l'aria della Romanesca: Quarta parte
09. Frescobaldi: Il primo libro di toccate d'intavolatura di cimbalo: Partite sopra l'aria della Romanesca: Quinta parte
10. Frescobaldi: Il primo libro di toccate d'intavolatura di cimbalo: Partite sopra l'aria della Romanesca: Sesta parte
11. Frescobaldi: Il primo libro di toccate d'intavolatura di cimbalo: Partite sopra l'aria della Romanesca: Settima parte
12. Frescobaldi: Il primo libro di toccate d'intavolatura di cimbalo: Partite sopra l'aria della Romanesca: Ottava parte
13. Frescobaldi: Il primo libro di toccate d'intavolatura di cimbalo: Partite sopra l'aria della Romanesca: Nona parte
14. Frescobaldi: Il primo libro di toccate d'intavolatura di cimbalo: Partite sopra l'aria della Romanesca: Decima parte
15. Frescobaldi: Il primo libro di toccate d'intavolatura di cimbalo: Partite sopra l'aria della Romanesca: Undecima parte
16. Frescobaldi: Il primo libro di toccate d'intavolatura di cimbalo: Partite sopra l'aria della Romanesca: Duodecima parte
17. Frescobaldi: Il primo libro di toccate d'intavolatura di cimbalo: Partite sopra l'aria della Romanesca: Terzadecima parte
18. Frescobaldi: Il primo libro di toccate d'intavolatura di cimbalo: Partite sopra l'aria della Romanesca: Quartadecima parte
19. Frescobaldi: Il secondo libro di toccate: Corrente prima
20. Frescobaldi: Il secondo libro di toccate: Corrente seconda
21. Frescobaldi: Il secondo libro di toccate: Corrente terza
22. Frescobaldi: Il secondo libro di toccate: Corrente quarta
23. Frescobaldi: Il secondo libro di toccate: Toccata prima
24. Frescobaldi: Il secondo libro di toccate: Toccata seconda
25. Frescobaldi: Il secondo libro di toccate: Toccata decima
26. Frescobaldi: Il secondo libro di toccate: Canzona prima
27. Frescobaldi: Il secondo libro di toccate: Canzona terza
28. Frescobaldi: Il secondo libro di toccate: Gagliarda seconda
29. Frescobaldi: Il secondo libro di toccate: Gagliarda terza
30. Frescobaldi: Il secondo libro di toccate: Gagliarda prima
31. Frescobaldi: Il secondo libro di toccate: Aria detto Balletto: Prima parte
32. Frescobaldi: Il secondo libro di toccate: Aria detto Balletto: Seconda parte
33. Frescobaldi: Il secondo libro di toccate: Aria detto Balletto: Terza parte
34. Frescobaldi: Il secondo libro di toccate: Aria detto Balletto: Quarta parte
35. Frescobaldi: Il secondo libro di toccate: Aria detto Balletto: Quinta parte
36. Frescobaldi: Il secondo libro di toccate: Aria detto Balletto: Sesta parte
37. Frescobaldi: Il secondo libro di toccate: Aria detto Balletto: Settima parte
38. Frescobaldi: Il secondo libro di toccate: Aria detto Balletto: Ottava e ultima parte
Scott Ross was an American harpsichordist who was both popular and renowned for his brilliant technique and insightful interpretations. He recorded the complete works of Scarlatti, Rameau, and Couperin, three composers, along with J.S. Bach, whose music he became identified with over his brief career. Ross was also a highly respected harpsichord teacher in Canada and France.
Ross's father died in 1956, about the time young Scott began showing strong interest in music. The following year, he began studies on organ and piano. In 1964, at age 13, he moved to France with his mother and brother (who together would later move back to the U.S.) and the next year enrolled at the Nice Conservatory, where he studied under Huguette Grémy-Chauliac (harpsichord) and René Saorgin (organ). He left in 1968, receiving first prize at his graduation recital. While his studies had included organ, the instrument he strongly favored in his early years in France, he began focusing on the harpsichord toward the later 1960s. He failed to win the international harpsichord competition in Bruges in 1969, but re-entered two years later and was awarded first prize. That year, he finished studies at the Paris Conservatory, where he had been receiving instruction in harpsichord since 1969 from Robert Veyron-Lacroix. In 1970, Ross' mother committed suicide, dealing a harsh blow to the young artist. He rebounded from this "foul" time (as he would refer to this period in an interview in the French magazine Diapason) with his first recording, made in 1971 by the early music label Editions STIL. The album contained works by Bach and was appropriately entitled Monsieur Bach. Ross also took classes that year at the Royal Conservatory of Antwerp from Kenneth Gilbert. Two years later, he joined the faculty at the Laval University School of Music in Quebec, becoming assistant professor there in 1978. In 1975, Ross' recording of Rameau's Pièces de clavecin was issued to generally positive notices and even received a grand prix du disque award the following year. His next major recording was the complete Pièces de clavecin by Couperin, for which he again received high praise. In 1983, he requested a leave of absence from his teaching post in Quebec. The following year, he signed a five-year contract with the French label Erato. His first project for the company was the most ambitious of his career, the 555 sonatas of Domenico Scarlatti. He began the venture in June 1984 and finished it in September 1985, a 15-month span during which he recorded two sonatas each day he entered the studio. The entire set was packaged on 34 compact discs. While Ross' reputation rests on many concert appearances and his other recordings, this massive effort was probably his greatest legacy. In 1986, several more recordings by Ross were issued containing works by Bach, Soler, and Forqueray. That same year, he resigned from Laval University. Ross' health began to seriously decline in 1988 with the first of several visits to Lapeyronie Hospital in Montpellier. He died in Assas, at the age of 38.
Ross's father died in 1956, about the time young Scott began showing strong interest in music. The following year, he began studies on organ and piano. In 1964, at age 13, he moved to France with his mother and brother (who together would later move back to the U.S.) and the next year enrolled at the Nice Conservatory, where he studied under Huguette Grémy-Chauliac (harpsichord) and René Saorgin (organ). He left in 1968, receiving first prize at his graduation recital. While his studies had included organ, the instrument he strongly favored in his early years in France, he began focusing on the harpsichord toward the later 1960s. He failed to win the international harpsichord competition in Bruges in 1969, but re-entered two years later and was awarded first prize. That year, he finished studies at the Paris Conservatory, where he had been receiving instruction in harpsichord since 1969 from Robert Veyron-Lacroix. In 1970, Ross' mother committed suicide, dealing a harsh blow to the young artist. He rebounded from this "foul" time (as he would refer to this period in an interview in the French magazine Diapason) with his first recording, made in 1971 by the early music label Editions STIL. The album contained works by Bach and was appropriately entitled Monsieur Bach. Ross also took classes that year at the Royal Conservatory of Antwerp from Kenneth Gilbert. Two years later, he joined the faculty at the Laval University School of Music in Quebec, becoming assistant professor there in 1978. In 1975, Ross' recording of Rameau's Pièces de clavecin was issued to generally positive notices and even received a grand prix du disque award the following year. His next major recording was the complete Pièces de clavecin by Couperin, for which he again received high praise. In 1983, he requested a leave of absence from his teaching post in Quebec. The following year, he signed a five-year contract with the French label Erato. His first project for the company was the most ambitious of his career, the 555 sonatas of Domenico Scarlatti. He began the venture in June 1984 and finished it in September 1985, a 15-month span during which he recorded two sonatas each day he entered the studio. The entire set was packaged on 34 compact discs. While Ross' reputation rests on many concert appearances and his other recordings, this massive effort was probably his greatest legacy. In 1986, several more recordings by Ross were issued containing works by Bach, Soler, and Forqueray. That same year, he resigned from Laval University. Ross' health began to seriously decline in 1988 with the first of several visits to Lapeyronie Hospital in Montpellier. He died in Assas, at the age of 38.
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