La Rêveuse, Florence Bolton, Benjamin Perrot - Marais: Tombeau pour Monsieur de Sainte-Colombe (2024) [Hi-Res]

  • 28 Aug, 16:08
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Title: Marais: Tombeau pour Monsieur de Sainte-Colombe
Year Of Release: 2024
Label: Harmonia Mundi
Genre: Classical
Quality: flac lossless (tracks) / flac 24bits - 192.0kHz +Booklet
Total Time: 01:06:46
Total Size: 348 mb / 2.27 gb
WebSite:

Tracklist

01. Pièces de viole, Book 2, Suite in E Minor: No. 96, Prélude
02. Pièces de viole, Book 2, Suite in E Minor: No. 98, Allemande
03. Pièces de viole, Book 2, Suite in E Minor: No. 101, Sarabande à l'Espagnol
04. Pièces de viole, Book 2, Suite in E Minor: No. 102, Gigue
05. Pièces de viole, Book 2, Suite in E Minor: No. 109, Tombeau pour Monsieur de Sainte-Colombe
06. Pièces de viole, Book 2, Suite in G Major: No. 82, Chaconne en rondeau
07. Pièces de viole, Book 2, Suite in D Minor: No. 22, Prélude
08. Pièces de viole, Book 2, Suite in D Minor: No. 19, Ballet en rondeau
09. Pièces de viole, Book 2, Suite in D Minor: No. 40, La Polonoise
10. Pièces de viole, Book 2, Suite in D Minor: No. 38, Cloches ou Carillon
11. Concert XLIV, Tombeau Les Regrets: Les Regrets - Carillon - Appel de Charon - Les Pleurs - Joie des Élysées - Les Élysées
12. Pièces de viole, Book 2, Suite in A Major: No. 142, Fantaisie
13. Chaconne in G Major
14. Pièces de viole, Book 2, Suite in D Minor: No. 20, Couplets de Folies "Folies d'Espagne"
15. Pièces de viole, Book 2, Suite in D Major: No. 63, Les Voix humaines

La Rêveuse, Florence Bolton, Benjamin Perrot - Marais: Tombeau pour Monsieur de Sainte-Colombe (2024) [Hi-Res]


In this new album, Florence Bolton and Benjamin Perrot revisit the composer who gave their ensemble its delightful name, ‘La Rêveuse’. Drawing on his heritage (Sainte-Colombe), his friendships (Robert de Visée) and his own visionary genius, Marin Marais blazed new trails for his instrument in his second book of viol pieces (1701). Alongside the customary dances and sets of variations, he invented the ‘character pieces’ that were to become so popular in the eighteenth century.


  • platico
  •  05:40
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gracias...
  • topomono
  •  21:49
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Muchas gracias!