Angela Hewitt - Angela Hewitt - French Works (2024)
Artist: Angela Hewitt
Title: Angela Hewitt - French Works
Year Of Release: 2024
Label: UMG Recordings, Inc. FP
Genre: Classical
Quality: FLAC (tracks)
Total Time: 3:50:43
Total Size: 646 MB
WebSite: Album Preview
Tracklist:Title: Angela Hewitt - French Works
Year Of Release: 2024
Label: UMG Recordings, Inc. FP
Genre: Classical
Quality: FLAC (tracks)
Total Time: 3:50:43
Total Size: 646 MB
WebSite: Album Preview
01. Nell, Op. 18 No. 1 (Arr. Grainger)
02. Prélude in A Minor, M. 65
03. Thème et variations, Op. 73: Theme. Thème
04. Thème et variations, Op. 73: Var. 1. L'istesso tempo
05. Thème et variations, Op. 73: Var. 2. Più mosso
06. Thème et variations, Op. 73: Var. 3. Un poco più mosso
07. Thème et variations, Op. 73: Var. 4. L'istesso tempo
08. Thème et variations, Op. 73: Var. 5. Un poco più mosso
09. Thème et variations, Op. 73: Var. 6. Molto adagio
10. Thème et variations, Op. 73: Var. 7. Allegro moderato
11. Thème et variations, Op. 73: Var. 8. Andante molto moderato
12. Thème et variations, Op. 73: Var. 9. Quasi adagio
13. Thème et variations, Op. 73: Var. 10. Allegro vivo
14. Thème et variations, Op. 73: Var. 11. Andante molto, moderato espressivo
15. Menuet sur le nom d'Haydn, M. 58
16. À la manière de Borodine, M. 63/1
17. Valses nobles et sentimentales, M. 61: I. Modéré, très franc
18. Valses nobles et sentimentales, M. 61: II. Assez lent, avec une expression intense
19. Valses nobles et sentimentales, M. 61: III. Modéré
20. Valses nobles et sentimentales, M. 61: IV. Assez animé
21. Valses nobles et sentimentales, M. 61: V. Presque lent, dans un sentiment intime
22. Valses nobles et sentimentales, M. 61: VI. Vif
23. Valses nobles et sentimentales, M. 61: VII. Moins vif
24. Valses nobles et sentimentales, M. 61: VIII. Epilogue. Lent
25. À la manière de Chabrier, M. 63/2
26. Children's Corner, CD 119: I. Doctor Gradus ad Parnassum
27. Children's Corner, CD 119: II. Jimbo's Lullaby
28. Children's Corner, CD 119: III. Serenade for the Doll
29. Children's Corner, CD 119: IV. The Snow Is Dancing
30. Children's Corner, CD 119: V. The Little Shepherd
31. Children's Corner, CD 119: VI. Golliwogg's Cakewalk
32. 2 Arabesques, CD 74: No. 2, Allegretto scherzando
33. 2 Arabesques, CD 74: No. 1, Andantino con moto
34. Nouvelles suites de pièces de clavecin, Suite in G Major, RCT 6: I. Les tricotets (Rondeau)
35. Nouvelles suites de pièces de clavecin, Suite in G Major, RCT 6: II. L'indifférente
36. Nouvelles suites de pièces de clavecin, Suite in G Major, RCT 6: III. Menuets I & II
37. Nouvelles suites de pièces de clavecin, Suite in G Major, RCT 6: IV. La poule
38. Nouvelles suites de pièces de clavecin, Suite in G Major, RCT 6: V. Les triolets
39. Nouvelles suites de pièces de clavecin, Suite in G Major, RCT 6: VI. Les sauvages
40. Nouvelles suites de pièces de clavecin, Suite in G Major, RCT 6: VII. L'enharmonique
41. Nouvelles suites de pièces de clavecin, Suite in G Major, RCT 6: VIII. L'egyptienne
42. Pièces de clavecin (1724), Suite in E Minor, RCT 2: I. Allemande
43. Pièces de clavecin (1724), Suite in E Minor, RCT 2: II. Courante
44. Pièces de clavecin (1724), Suite in E Minor, RCT 2: IIIa. Gigue en rondeau I
45. Pièces de clavecin (1724), Suite in E Minor, RCT 2: IIIb. Gigue en rondeau II
46. Pièces de clavecin (1724), Suite in E Minor, RCT 2: IV. Le rappel des oiseaux
47. Pièces de clavecin (1724), Suite in E Minor, RCT 2: V. Rigaudons I, II & double
48. Pièces de clavecin (1724), Suite in E Minor, RCT 2: VI. Musette en rondeau
49. Pièces de clavecin (1724), Suite in E Minor, RCT 2: VII. Tambourin
50. Pièces de clavecin (1724), Suite in E Minor, RCT 2: VIII. La villageoise (Rondeau)
51. Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5: I. Allemande
52. Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5: II. Courante
53. Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5: III. Sarabande
54. Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5: IV. Les trois mains
55. Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5: V. Fanfarinette
56. Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5: VI. La triomphante
57. Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5: VIIa. Gavotte
58. Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5: VIIb. Double 1
59. Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5: VIIc. Double 2
60. Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5: VIId. Double 3
61. Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5: VIIe. Double 4
62. Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5: VIIf. Double 5
63. Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5: VIIg. Double 6
64. Le tombeau de Couperin, M. 68: I. Prélude
65. Le tombeau de Couperin, M. 68: II. Fugue
66. Le tombeau de Couperin, M. 68: III. Forlane
67. Le tombeau de Couperin, M. 68: IV. Rigaudon
68. Le tombeau de Couperin, M. 68: V. Menuet
69. Le tombeau de Couperin, M. 68: VI. Toccata
70. Suite bergamasque, CD 82: I. Prélude
71. Suite bergamasque, CD 82: II. Menuet
72. Suite bergamasque, CD 82: III. Clair de lune
73. Suite bergamasque, CD 82: IV. Passepied
74. Sonatine, M. 40: I. Modéré
75. Sonatine, M. 40: II. Mouvement de menuet
76. Sonatine, M. 40: III. Animé
77. Tarantelle styrienne "Danse", CD 77
78. Gaspard de la nuit, M. 55: I. Ondine
79. Gaspard de la nuit, M. 55: II. Le gibet
80. Gaspard de la nuit, M. 55: III. Scarbo
Pianist Angela Hewitt is an internationally prominent pianist, particularly noted for her Bach readings but accomplished in a large repertory encompassing many eras of keyboard music. A longtime fixture of the Hyperion label catalog, she has been a prolific recording artist since the mid-'80s.
Hewitt was born in Ottawa on July 26, 1958. Her father, Godfrey Hewitt, was a British organist and choir director, and she also holds British citizenship. Angela took up the piano at age three, with her mother as her teacher. She appeared in public at four and won a scholarship the following year, continuing piano lessons and also studying violin, recorder, and ballet dancing. In 1964, Hewitt entered Toronto's Royal Conservatory of Music, and when she was nine, she gave a recital there. Hewitt did her undergraduate work at the University of Ottawa, studying with Jean-Paul Sevilla and graduating at 18. Wins at several competitions, including the 1985 International Bach Competition in Toronto, helped her gain wider recognition. That Bach Competition honor paved the way for an album issued by the Deutsche Grammophon label on which she played keyboard works of Bach; she has remained associated with Bach's music over her entire career. Hewitt's debut on Hyperion came in 1994 with another collection of Bach keyboard music featuring the Two- and Three-Part Inventions, and with few exceptions, she has remained on that label ever since.
After living in Paris from 1978 to 1985, Hewitt settled in London. She has maintained strong connections to Canada, however. Hewitt has appeared in many major world concert venues, including New York's Alice Tully Hall, Wigmore Hall in London, and Chicago's Ravinia Festival. Her concerto credits include appearances with the Japan Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the BBC Philharmonic, as well as every major Canadian orchestra and many in the U.S. Although she continued to perform and record Bach frequently, Hewitt has a large repertory stretching forward into the 21st century. She has devoted albums to composers as varied as Beethoven, Fauré, and Albert Roussel, and she has commissioned new works from such composers as Dominic Muldowney and Matthew Whittall. In the 2010s, Hewitt turned increasingly often to Beethoven's piano sonatas, and by 2022, when she issued an album featuring Beethoven's Piano Sonata No. 29 in B flat major, Op. 106 ("Hammerklavier"), and Piano Sonata No. 32 in C minor, Op. 111, her catalog comprised more than 60 items. Later that year, Hewitt issued an album of Mozart's first seven piano sonatas on Hyperion. © James Manheim
Hewitt was born in Ottawa on July 26, 1958. Her father, Godfrey Hewitt, was a British organist and choir director, and she also holds British citizenship. Angela took up the piano at age three, with her mother as her teacher. She appeared in public at four and won a scholarship the following year, continuing piano lessons and also studying violin, recorder, and ballet dancing. In 1964, Hewitt entered Toronto's Royal Conservatory of Music, and when she was nine, she gave a recital there. Hewitt did her undergraduate work at the University of Ottawa, studying with Jean-Paul Sevilla and graduating at 18. Wins at several competitions, including the 1985 International Bach Competition in Toronto, helped her gain wider recognition. That Bach Competition honor paved the way for an album issued by the Deutsche Grammophon label on which she played keyboard works of Bach; she has remained associated with Bach's music over her entire career. Hewitt's debut on Hyperion came in 1994 with another collection of Bach keyboard music featuring the Two- and Three-Part Inventions, and with few exceptions, she has remained on that label ever since.
After living in Paris from 1978 to 1985, Hewitt settled in London. She has maintained strong connections to Canada, however. Hewitt has appeared in many major world concert venues, including New York's Alice Tully Hall, Wigmore Hall in London, and Chicago's Ravinia Festival. Her concerto credits include appearances with the Japan Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the BBC Philharmonic, as well as every major Canadian orchestra and many in the U.S. Although she continued to perform and record Bach frequently, Hewitt has a large repertory stretching forward into the 21st century. She has devoted albums to composers as varied as Beethoven, Fauré, and Albert Roussel, and she has commissioned new works from such composers as Dominic Muldowney and Matthew Whittall. In the 2010s, Hewitt turned increasingly often to Beethoven's piano sonatas, and by 2022, when she issued an album featuring Beethoven's Piano Sonata No. 29 in B flat major, Op. 106 ("Hammerklavier"), and Piano Sonata No. 32 in C minor, Op. 111, her catalog comprised more than 60 items. Later that year, Hewitt issued an album of Mozart's first seven piano sonatas on Hyperion. © James Manheim
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