Gisella Curtolo - J.S. Bach: Violin Sonatas & Partitas, BWV 1001-1006 (2024) [Hi-Res]

Tracklist

CD1
01. Violin Sonata No. 1 in G Minor, BWV 1001: I. Adagio
02. Violin Sonata No. 1 in G Minor, BWV 1001: II. Fuga
03. Violin Sonata No. 1 in G Minor, BWV 1001: III. Siciliana
04. Violin Sonata No. 1 in G Minor, BWV 1001: IV. Presto
05. Violin Partita No. 1 in B Minor, BWV 1002: I. Allemanda
06. Violin Partita No. 1 in B Minor, BWV 1002: II. Double
07. Violin Partita No. 1 in B Minor, BWV 1002: III. Courante
08. Violin Partita No. 1 in B Minor, BWV 1002: IV. Double
09. Violin Partita No. 1 in B Minor, BWV 1002: V. Sarabande
10. Violin Partita No. 1 in B Minor, BWV 1002: VI. Double
11. Violin Partita No. 1 in B Minor, BWV 1002: VII. Tempo di bourrée
12. Violin Partita No. 1 in B Minor, BWV 1002: VIII. Double
13. Violin Sonata No. 2 in A Minor, BWV 1003: I. Grave
14. Violin Sonata No. 2 in A Minor, BWV 1003: II. Fuga
15. Violin Sonata No. 2 in A Minor, BWV 1003: III. Andante
16. Violin Sonata No. 2 in A Minor, BWV 1003: IV. Allegro

CD2
01. Violin Partita No. 2 in D Minor, BWV 1004: I. Allemande
02. Violin Partita No. 2 in D Minor, BWV 1004: II. Courante
03. Violin Partita No. 2 in D Minor, BWV 1004: III. Sarabande
04. Violin Partita No. 2 in D Minor, BWV 1004: IV. Gigue
05. Violin Partita No. 2 in D Minor, BWV 1004: V. Ciaccona
06. Violin Sonata No. 3 in C Major, BWV 1005: I. Adagio
07. Violin Sonata No. 3 in C Major, BWV 1005: II. Fuga
08. Violin Sonata No. 3 in C Major, BWV 1005: III. Largo
09. Violin Sonata No. 3 in C Major, BWV 1005: IV. Allegro assai
10. Violin Partita No. 3 in E Major, BWV 1006: I. Preludio
11. Violin Partita No. 3 in E Major, BWV 1006: II. Loure
12. Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau
13. Violin Partita No. 3 in E Major, BWV 1006: IV. Menuet I
14. Violin Partita No. 3 in E Major, BWV 1006: V. Menuet II
15. Violin Partita No. 3 in E Major, BWV 1006: VI. Bourrée
16. Violin Partita No. 3 in E Major, BWV 1006: VII. Gigue



In this 1720 score, Johann Sebastian Bach laid the foundation that would shape the future of the violin in Western music. While building on the contributions of earlier composers, his meticulous craftsmanship—a true compendium of the instrument’s virtues—and his vision in terms of musical conception and performance render these Six Sonatas and Partitas for solo violin a cornerstone. No self-respecting violinist can ignore them, as they serve both as a fundamental study and a lofty aspiration.

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