New London Orchestra, Ronald Corp - Hurd: Orchestral Music & Pop Cantatas (2012)

  • 28 Sep, 10:12
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Artist:
Title: Hurd: Orchestral Music & Pop Cantatas
Year Of Release: 2012
Label: Dutton Epoch
Genre: Classical
Quality: FLAC (tracks)
Total Time: 02:14:20
Total Size: 640 MB
WebSite:

Tracklist:

CD1: Orchestral Music -
01. Overture to an Unwritten Comedy - [04:53]
Sinfonia Concertante -
02. I. Allegro moderato - [03:37]
03. II. Andante - [02:45]
04. III. Presto - [02:20]Dance Diversions -
05. I. Allegro commodo - [02:51]
06. II. Andante con moto - [03:18]
07. III. Andante con moto, molto vigoroso - [02:28]
08. IV. Andante sostenuto - [03:49]
09. V. Allegro molto - [02:38]Concerto da Camera -
10. I. Andante con moto - [04:54]
11. II. Moderato con moto - [05:27]
12. III. Allegro molto - [02:48]Little Suite -
13. I. Prelude - [01:28]
14. II. Waltz - [01:19]
15. III. Chorale - [01:56]
16. IV. March - [02:17]17. Plaine and Fancie - [04:31]
Harlequin Suite -
18. I. Fanfare - [01:10]
19. II. Dance - [01:22]
20. III. Popular Song - [01:17]
21. IV. Ceremony - [01:18]
22. V. Finale - [01:54]

CD2: Pop Cantatas -
Charms And Ceremonties -
23. I. Invocation - [01:02]
24. II. First Charm - [01:08]
25. III. Second Charm - [00:52]
26. IV. Spring Ceremony - [01:13]
27. V. The Peter Penny - [01:48]
28. VI. Christmas Ceremony - [01:21]
29. VII. Third Charm - [00:35]
30. VIII. Fourth Charm - [00:27]
31. IX. Benediction - [01:30]
Hip Hip Horatio -
32. I - [02:01]
33. II - [00:18]
34. III - [00:45]
35. IV - [01:49]
36. V - [00:53]
37. VI - [02:13]
38. VII - [00:46]
39. VIII - [02:46]
40. IX - [00:47]
41. X - [01:18]
42. XI - [00:32]
43. XII - [02:36]
44. XIII - [02:16]
45. XIV - [01:50]
46. XV - [00:53]
47. XVI - [01:38]
48. XVII - [00:43]
49. XVIII - [03:46]
50. XIX - [01:51]Nine Of Anon -
51. I. Monday's Child Is Fair of Face - [01:09]
52. II. Here Lies a Poor Woman - [01:30]
53. III. This Is the Key of the Kingdom - [01:51]
54. IV. The Horse and Mule Live Thirty Years - [01:42]
55. V. There Were Three Sisters - [03:07]
56. VI. I Saw a Peacock - [01:01]
57. VII. There Was a Presbyterian Cat - [01:34]
58. VIII. A Man of Words and Not of Deeds - [00:50]
59. IX. An Author Owned an Asterisk - [01:17]A New Nowell -
60. I - [02:45]
61. II - [00:23]
62. III - [02:42]
63. IV - [00:32]
64. V - [01:54]
65. VI - [00:20]
66. VII - [02:16]
67. VIII - [00:20]
68. IX - [02:02]
69. X - [00:21]
70. XI - [01:34]
71. XII - [00:18]
72. XIII - [01:16]
73. XIV - [00:26]
74. XV - [03:48]

In this engaging program, released as a 2-CD set, Dutton Epoch presents two sides of the musical persona of English composer Michael Heard (1928-2006).
The first disc is dedicated to various charming orchestral compositions spanning the period from the late 1960s to the early 1990s, and is actually another entry in the Dutton Epoch series of British light music. Lorraine McAslan is a compelling soloist in Heard's Sinfonia Concertante, originally written for Kathleen Merritt's orchestra in 1968 and one of Heard's first significant orchestral works. Oboist Nicholas Daniel is featured in the Concerto da Camera. Created in the late 1970s, the composer noted that it became "a tribute to the genius of Francis Poulenc, and, like his work, seeks simply to "give joy, not hurt" in a world where confusion and despondency are too often the order of things."
On the second disc we have four compositions for a large children's choir with orchestral accompaniment and, in some cases, more modest forces. Charms and Ceremonies 1969, based on the words of Robert Herrick, the composer's favorite, is an example of Hurd's instinctive and practical understanding of music for young singers, while the sea-inspired Hip Hip Horatio marks one of the peaks in Hurd's career. The mock-solemn recitative contrasts with the choruses in an artful variety of styles. Calypso, waltz and cockney knees-up all play a role in the work, imbued with the composer's deep knowledge of English musical traditions.
With talent and scope, Ronald Korp directs the New London Orchestra and New London Children's Choir, with the support and assistance of various soloists, through this delightful program, giving us a valuable insight into the colorful musical world of Michael Heard.