Marc Taddei, Orchestra Wellington - Leviathan (2024) [Hi-Res]

At Orchestra Wellington, we have recently witnessed the incredible power of targeted philanthropy through the completion of our latest recording project, “Leviathan,” featuring the music of John Psathas. This ambitious project, which has culminated in a double album recording, was made possible by a generous bequest from the Margaret Doucas Trust. This experience has underscored how focused financial support can profoundly influence the growth and direction of cultural endeavors.

The Impact of the “Leviathan” Project

“Leviathan” is more than just a recording; it is a cultural milestone for New Zealand. John Psathas, our nation’s most internationally acclaimed composer, has had a long-standing association with Orchestra Wellington. This project not only documents this collaboration but also sets a new benchmark for classical music production in the country. With the highest budget for a classical album produced in New Zealand in over two decades, the quality of the recording is evident in every aspect.

The recording features first-ever recordings of Psathas’ masterpieces, brought to life by our orchestra and distinguished international soloists. The design and production quality of the physical media are world-class, ensuring that the project not only sounds exceptional but also presents itself as a significant artistic artifact. This achievement showcases the orchestra’s high standards and reflects positively on New Zealand’s classical performance culture.

The Role of Targeted Philanthropy

The Margaret Doucas Trust’s bequest exemplifies the impact that targeted philanthropy can have on cultural projects. Unlike general donations, targeted funds are allocated for specific purposes, allowing donors to support initiatives that align closely with their values and vision for cultural growth. In the case of “Leviathan,” the bequest enabled us to embark on a five-year journey, transforming a visionary project into reality.

The Broader Impact

Targeted philanthropy, like the bequest from the Margaret Doucas Trust, has broader implications beyond the immediate project. It provides a vote of confidence in the recipient organization, highlighting the importance of sustained support for the arts. This kind of philanthropy inspires others to see the potential of their contributions, encouraging a culture of giving that can sustain and grow artistic endeavors.

The success of the “Leviathan” project is a testament to what can be achieved when vision and support align. It underscores the importance of philanthropy in nurturing the arts and demonstrates how specific, focused donations can lead to extraordinary outcomes. The legacy of the Margaret Doucas Trust will not only be remembered through this recording but also through the inspiration it provides to future benefactors.

Conclusion

As we celebrate the completion of “Leviathan,” we are deeply grateful to the Margaret Doucas Trust for their visionary support. This project is a shining example of how targeted philanthropy can transform the cultural landscape, creating lasting impacts that resonate far beyond the initial investment. We hope this story inspires others to consider the immense potential of their contributions and to support the arts in ways that foster growth, innovation, and excellence.

“Djinn originally a concerto for marimba and chamber orchestra, was written for and inspired by percussionist Pedro Carneiro and has sinced been arranged for solo marimba and digital audio, marimba and percussion ensemble, and marimba and traditional Chinese instruments. This is an early example of collective commissioning with three of New Zealand's regional orchestra's contributing to the process with funding provided by Creative New Zealand. Orchestra Wellington - who drove the commission and the project - the Auckland Philharmonia, and the Christchurch Symphony Orchestra each performed the work as part of its premiere season in April 2010 with Marc Taddei at the baton for all three performances. Inspired by the mystical concept of the djinn, or genie, Djinn embarks on a musical exploration of profound themes and mythical tales. Divided into three distinct movements, the concerto unfolds like a transformative journey through the realms of Pandora, the labyrinth, and the ethereal realm of dreams. - John Psathas

“Over a decade ago, I attended the world premiere of John’s marimba concerto "Djinn" by Pedro Carneiro with Orchestra Wellington. The memory remains vivid, and I was honoured when invited to perform this wonderful work.

The journey of performing this piece has been such an exciting and deeply rewarding experience. Despite the complexity at first glance, scrutinising John’s meticulously notated score has been a fascinating exploration, both musically and technically, just like I have experienced playing his other works.

Collaborating with John, such a generous and inspiring person, has undoubtedly been a highlight. It is always fascinating observing his creative processes and interacting with his musical genius.” - Yoshiko Tsuruta, 2024

Yoshiko Tsuruta, marimba, percussion
Fabian Ziegler, percussion
Luca Staffelbach, percussion
Orchestra Wellington
Marc Taddei, conductor