Dvořák Chamber Orchestra, Ludomír Máti - Reicha: Requiem (1990) CD-Rip
Artist: Dvořák Chamber Orchestra, Ludomír Máti
Title: Reicha: Requiem
Year Of Release: 1990
Label: Supraphon
Genre: Classical
Quality: FLAC (image+.cue,log,scans)
Total Time: 55:09
Total Size: 284 Mb
WebSite: Album Preview
Tracklist: Title: Reicha: Requiem
Year Of Release: 1990
Label: Supraphon
Genre: Classical
Quality: FLAC (image+.cue,log,scans)
Total Time: 55:09
Total Size: 284 Mb
WebSite: Album Preview
Introitus et Kyrie
01. Requiem aeternam - 00:04:33
02. Kyrie - 00:03:07
Sequentia
03. Dies irae - 00:01:03
04. Tuba mirum - 00:02:10
05. Liber scriptus - 00:05:25
06. Rex tremendae majestatis - 00:01:42
07. Recordare - 00:04:27
08. Confutatis maledictis - 00:03:22
09. Lacrimosa - 00:02:24
Offertorium
10. Domine, Jesu Christe - 00:06:22
11. Hostias et preces - 00:05:20
Sanctus
12. Sanctus - 00:02:06
13. Benedictus - 00:04:22
Agnus Dei et Communio
14. Agnus Dei - 00:01:53
15. Lux aeterna - 00:06:15
Performers:
Věnceslava Hrubá-Freiberger - soprano
Anna Barová - contralto
Vladimír Doležal - tenor
Luděk Vele - bass
Czech Philharmonic Chorus
Dvořák Chamber Orchestra
Ludomír Máti - conductor
Antonín Rejcha (1770, Prague - 1836 Paris) was a respected professor of counterpoint and fugal technique at Paris Conservatory, and an author of pedagogical works which even Bedřich Smetana and Fryderyk Chopin studied. He wrote wind quintets, piano fugues, overtures and symphonies.
It wasn't until the late 20th century that the discovery of his manuscripts in the Bibliotheque Nationale in Paris revealed that he was also a composer of large works for choir and orchestra.
- One such discovery was Rejchas's Missa pro defunctis - Requiem, written in Vienna, where Rejcha lived from 1802 to 1808 before settling down in Paris.
The piece displays the characteristic marks of Rejcha's compositional style: chromaticism, a rich modulation scheme, colorful instrumentation and a sensitive musical expression of the meaning of the Latin text. Antonín Rejcha's Requiem - a new perspective on the composer's work
It wasn't until the late 20th century that the discovery of his manuscripts in the Bibliotheque Nationale in Paris revealed that he was also a composer of large works for choir and orchestra.
- One such discovery was Rejchas's Missa pro defunctis - Requiem, written in Vienna, where Rejcha lived from 1802 to 1808 before settling down in Paris.
The piece displays the characteristic marks of Rejcha's compositional style: chromaticism, a rich modulation scheme, colorful instrumentation and a sensitive musical expression of the meaning of the Latin text. Antonín Rejcha's Requiem - a new perspective on the composer's work
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Dvořák Chamber Orchestra, Ludomír Máti - Reicha Requiem (1990) CD-Rip.rar - 284.5 MB
Dvořák Chamber Orchestra, Ludomír Máti - Reicha Requiem (1990) CD-Rip.rar - 284.5 MB