Stefano Leonardi - Fuoco Sacro (2024)

Fuoco Sacro marks the second chapter for this duo, with Leonardi once again showcasing an array of flutes and reed instruments. His palette spans from the bass flute to various traditional instruments, such as the Sardinian launeddas (tumbu), the Turkish dilli kaval, an Etruscan alabaster flute, and the Chinese bass xun.
Bertoni enriches this sonic blend by introducing a range of African string instruments, from the deep basses of the bolon and guimbri to the smaller ngoni and the njarka violin. He also adds drums, percussions, and the distinctive waterphone to the mix.

While these instruments may evoke echoes of ethnic or traditional music, their true purpose here is improvisation. The duo treats traditional instruments like worlds or planets—vehicles to capture both timeless and contemporary emotions and meanings.
Their approach remains deeply rooted in an implicit, objective materiality, aiming to reflect the musical essence of the past while cultivating a tactile sensitivity through sound. This project becomes a workshop of knowledge and exploration shared by both musicians. They continue their journey, refining their style and drawing from evolving inspirations.

A review of their debut album offers a glimpse into their artistic trajectory:

“The resulting combinations of drones, some of which are extraordinarily sharp and loud, and the deep, gutsy throb of the guimbri, are bracing to say the least. The launeddas are uncanny, like someone blowing a vuvuzela stuffed with lust-crazed cicadas. The album has quiet moments too, but it’s best when the duo go full Master Musicians Of Joujouka.” — The Wire