William Ryan Fritch - Adhesion (2024) [Hi-Res
Artist: William Ryan Fritch
Title: Adhesion
Year Of Release: 2024
Label: Lost Tribe Sound
Genre: Ambient, Neo-Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks)
Total Time: 54:08
Total Size: 225 / 540 MB
WebSite: Album Preview
Tracklist:Title: Adhesion
Year Of Release: 2024
Label: Lost Tribe Sound
Genre: Ambient, Neo-Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks)
Total Time: 54:08
Total Size: 225 / 540 MB
WebSite: Album Preview
1. Cling to One Another (5:48)
2. Phototropic (7:24)
3. Gravitropic (9:02)
4. An Abnormal Union (5:36)
5. Moieties (5:21)
6. Resisting Rupture (7:35)
7. Adhesion (6:30)
8. Substrata (6:52)
'Adhesion' is the final installment in a three album series reflecting on the many calamitous water crises affecting life on this planet.
Fifty percent of the sales for the three album series will be donated to communities that are at the front line of these crises, in perpetuity.
For this record, the primary instrument used throughout was a Cristal Baschet that was custom built for Fritch back in 2022. It is an instrument unique in its transmission of vibrations through multiple materials and its sound is one that is both beautiful and haunting. It served as the perfect analog for the idea behind the characteristics of adhesion (water molecules binding and attracting to the molecules of different substances).
To flesh out the orchestration of the album, Fritch developed techniques for four complimentary instruments; a cello with 12 foot metal springs attached from each string to a section of a piano soundboard, an analog ribbon synthesizer transduced through a chau gong, a tenor saxophone played directly in front of multiple wind gongs and aluminum resonators, and an upright bass using the multiple springs to attach to the head of a bass drum. Each one of these instruments were mic'd only on the resonator its vibrations were being transmitted to. The effect this has significantly alters the way each instrument behaves, sustains or shifts timbrally throughout their respective registers and dynamic ranges.
The intention was to create an instrumental palette that was fully capable of unpredictability and volatile singularity. A palette that could also bind to one another, with all their disparate qualities teeming as one.
Fifty percent of the sales for the three album series will be donated to communities that are at the front line of these crises, in perpetuity.
For this record, the primary instrument used throughout was a Cristal Baschet that was custom built for Fritch back in 2022. It is an instrument unique in its transmission of vibrations through multiple materials and its sound is one that is both beautiful and haunting. It served as the perfect analog for the idea behind the characteristics of adhesion (water molecules binding and attracting to the molecules of different substances).
To flesh out the orchestration of the album, Fritch developed techniques for four complimentary instruments; a cello with 12 foot metal springs attached from each string to a section of a piano soundboard, an analog ribbon synthesizer transduced through a chau gong, a tenor saxophone played directly in front of multiple wind gongs and aluminum resonators, and an upright bass using the multiple springs to attach to the head of a bass drum. Each one of these instruments were mic'd only on the resonator its vibrations were being transmitted to. The effect this has significantly alters the way each instrument behaves, sustains or shifts timbrally throughout their respective registers and dynamic ranges.
The intention was to create an instrumental palette that was fully capable of unpredictability and volatile singularity. A palette that could also bind to one another, with all their disparate qualities teeming as one.