Polonius - Antique Fantasia Vol 4: Polonius 2 (2024)
Artist: Polonius
Title: Antique Fantasia Vol 4: Polonius 2
Year Of Release: 2024
Label: Bamboo Shows – BSLP 009
Genre: Electronic, Exotica, Experimental
Quality: 16bit-44,1kHz FLAC
Total Time: 50:16
Total Size: 159 mb
WebSite: Album Preview
TracklistTitle: Antique Fantasia Vol 4: Polonius 2
Year Of Release: 2024
Label: Bamboo Shows – BSLP 009
Genre: Electronic, Exotica, Experimental
Quality: 16bit-44,1kHz FLAC
Total Time: 50:16
Total Size: 159 mb
WebSite: Album Preview
1. C'est Parti ! (04:12)
2. Domaine Des Dioux (04:06)
3. Colline (04:10)
4. Fete Foraine (03:14)
5. Kin (00:26)
6. Plais (03:39)
7. Les E?pluchures (05:33)
8. Vin Shoot (07:26)
9. Passis Du Krystal (03:48)
10. Ektal (01:00)
11. Nuages (02:15)
12. Bois De Campeche (03:11)
13. Tromba (02:48)
14. Skate (04:28)
_______VAI A CASA, SEI UBRIACO!
Bamboo Shows presents today the second opus of its 'vai a casa, sei ubriaco!' cassette series focusing on sunitty, an Italian reinterpretation of Fourth World Music through the prism of the world wide web.
_______ POLONIUS - ANTIQUE FANTASIA VOL. 4: POLONIUS 2
After introducing Babau for the inaugural cassette, the second installment of the sunitty focus showcases another contributor of the “Vapordub” V/A, with Egyptian Seif Gaber aka Polonius, dear friend of ArteTetrA, where he released the “Anaxia” and “Shades of Paradise” timeless yet time-bending cassettes (January and March 2019).
For the occasion the Milano-based musician exhumed the fourth opus of his Antique Fantasia series, a saga of six demo-tapes recorded between 2015 and 2018. Here’s the plainly entitled “Polonius 2”, a particularly eccentric segment of the aforementioned series. An album he has reworked and redefined over the years, initially inspired by Cocteau and maybe also a bit by Picasso. A translation of their simple, fresh line drawings and the distinctive flavor of that era through impulsive, offhand and elusive sounds. However, over the years this album became more about “gods, demigods and odd beings frolicking naked on flying checkerboards”, according to Polonius himself.
Delving into fourth-world abstractions and low-fidelity design, freeform creativity delivers here spontaneous exuberance, in Gaber‘s very own mischievous style. The piano checkerboard scrolls voluptuously, its ivory and ebony keys a canvas for his sonic alchemy. Synths soar and flirt with lively rhythms taking from the tribal folklore, creating a soundscape that appears both traditional and fanciful. Polonius' pataphysical tapestry unfurls an unlimited panorama of fantasized, unthought-of realms where the boundaries between genres and cultures dissolve.