King Crimson - The Collectable King Crimson Volume Four (Live At Roma, Warsaw, Poland 2000) (2009)

  • 11 Jan, 15:44
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Artist:
Title: The Collectable King Crimson Volume Four (Live At Roma, Warsaw, Poland 2000)
Year Of Release: 2009
Label: Discipline Global Mobile – DGM5008
Genre: Art Rock, Prog Rock, Experimental
Quality: FLAC (tracks+.cue, log)
Total Time: 01:46:00
Total Size: 611 MB
WebSite:

Tracklist:

1-1 ProzaKc Blues 6:09
1-2 The ConstruKction Of Light 8:43
1-3 The World's My Oyster Soup Kitchen Floor Wax Museum 7:42
1-4 Improv: Warsaw 12:35
1-5 Dinosaur 5:27
1-6 One Time 5:52
1-7 VROOOM 4:46
1-8 Cage 5:27
2-1 Into The Frying Pan 6:40
2-2 Larks' Tongues In Aspic: Part Four 13:55
2-3 Three Of A Perfect Pair 4:01
2-4 The Deception Of The Thrush 10:18
2-5 Sex, Sleep, Eat, Drink, Dream 7:12
2-6 Heroes 7:17 Written-By – Eno*, Bowie*

Reissue of the 2005 album, repackaged as part of The Collectable King Crimson series.

Drawn from the band's original 2 track stereo soundboard mix - sound quality: Very Fine

CD1:
All titles published by BMG Music Publishing Ltd/Robert Stevens Inc/Poppy Due Inc
except 1-5 to 1-8: BMG Music Publishing Ltd/Robert Stevens Inc/Poppy Due Inc/T-Lev Inc.

CD2:
All titles published by BMG Music Publishing Ltd/Robert Stevens Inc/Poppy Due Inc
except 2-5: BMG Music Publishing Ltd/Robert Stevens Inc/Poppy Due Inc/T-Lev Inc.
2-3 BMG Music Publishing Ltd
2-6 EMI Music Publishing Ltd/BMG Songs Ltd/RZO Music Ltd.

The Collectable King Crimson presents a series of concerts drawn from all eras of the band's history from 1969 to the present day.
As the primary consideration is the quality of performance and recordings vary from cleaned up bootleg recordings through to fully professional multi track tapes, each concert in the series identifies the original tape source and a guide to sound quality.

The phonographic copyright in these performances is operated by Discipline Global Mobile on behalf of the artists, with whom it resides, contrary to common practice in the record industry. Discipline accepts no reason for artists to assign the copyright interests in their work to either record company or management by virtue of a "common practice" which was always questionable, often improper, and is now indefensible. ℗ & © 2009 Robert Fripp.