Johanna Wallroth, Brian Mulligan, Bergen Philharmonic Orchestra and Choirs & Edward Gardner - Brahms: Ein deutsches Requiem (2025) [Hi-Res]

  • 28 Jan, 16:35
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Artist:
Title: Brahms: Ein deutsches Requiem
Year Of Release: 2025
Label: Chandos
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:08:16
Total Size: 260 MB / 1.09 GB
WebSite:

Tracklist:

1. Brahms: Ein deutches Requiem, Op. 45: I. Selig sind, die da Leid tragen (10:42)
2. Brahms: Ein deutches Requiem, Op. 45: II. Denn alles Fleisch, es ist wie Gras (13:35)
3. Brahms: Ein deutches Requiem, Op. 45: III. Herr, lehre doch mich (9:09)
4. Brahms: Ein deutches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen (5:28)
5. Brahms: Ein deutches Requiem, Op. 45: V. Ihr habt nun Traurigkeit (6:47)
6. Brahms: Ein deutches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende Stadt (11:48)
7. Brahms: Ein deutches Requiem, Op. 45: VII. Selig sind die Toten (10:52)

Composed between 1865 and 1868, Brahms’s Ein deutsches Requiem has become a repertoire staple for choirs around the world, amateur and professional alike, possibly because it relies so much more on the choir than its soloists to convey the texts than other works. Brahms chose not to set the Requiem Mass, but rather a collection of biblical texts of his own selection, taken from the Lutheran Bible (hence the ‘deutsches’). Rather than a prayer for the dead, Brahms’s concern is much more with offering comfort to the bereaved, still on earth. When challenged about the lack of a single reference to Christ in the entire work, Brahms responded, ‘I would gladly omit even the word German and simply put Human’. This adds credence to the view that he saw the work in an entirely humanist way, and that the religious overtones of the title and text selection are much more a result of the avowedly Christian culture of his times than a specific decision to express personal belief. Edward Gardner and his Bergen forces are joined by the soloists Johanna Wallroth and Brian Mulligan in this exciting new recording.



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