Maya Magub - The Violin Dances – Baroque (2025) Hi-Res
Artist: Maya Magub, Matthew Schellhorn
Title: The Violin Dances – Baroque
Year Of Release: 2025
Label: CRD Records
Genre: Classical
Quality: FLAC 16/24 Bit (96 KHz / tracks+booklet)
Total Time: 24:57 min
Total Size: 89 / 386 MB
WebSite: Album Preview
Tracklist:Title: The Violin Dances – Baroque
Year Of Release: 2025
Label: CRD Records
Genre: Classical
Quality: FLAC 16/24 Bit (96 KHz / tracks+booklet)
Total Time: 24:57 min
Total Size: 89 / 386 MB
WebSite: Album Preview
01. The Prophetess, or The History of Dioclesian, Z. 627, Act IV: Fourth Act Tune, Air (Arr. for violin and piano by Maya Magub)
02. The Prophetess, or The History of Dioclesian, Z. 627, Act V: Canaries (Arr. for violin and piano by Maya Magub)
03. The Fairy Queen, Z. 629, Act III: If Love's a Sweet Passion (Arr. for violin and piano by Maya Magub)
04. King Arthur, Z. 628, Act III, Scene 2: Third Act Tune, Hornpipe (Arr. for violin and piano by Maya Magub)
05. Gavotte in D Major (Arr. for violin and piano by Maya Magub)
06. Overture-Suite, TWV 55: G11: IV. Aria 2 Allegro (Arr. for violin and piano by Maya Magub)
07. Sonata in E Minor, Op. 5 No. 8: IV. Giga (Allegro) [Arr. for violin and piano by Maya Magub]
08. Partita No. 2 in G Major, TWV 41:G2: Allegro (Arr. for violin and piano by Maya Magub)
09. Sarabande in E-Flat Major (Arr. for violin and piano by Maya Magub)
10. Minuet in B-Flat Major (Arr. for violin and piano by Maya Magub)
11. Sonata in E Minor, Op. 2, No. 1: Sarabanda (Largo) [Arr. for violin and piano by Maya Magub]
12. Sonata in F Major, Op. 5, No. 10: Gavotta (Allegro) [Arr. for violin and piano by Maya Magub]
13. Sonata in C Minor, Op. 4, No. 9, H.93: III. Siciliana (Arr. for violin and piano by Maya Magub)
14. Sonata in A Major, TWV 41:A4: Allegro (Arr. for violin and piano by Maya Magub)
‘Music and dance have always enjoyed a central place in culture, no matter the time or place. This was particularly the case in ‘baroque’ period (the C17th and C18th, broadly speaking).
Today, we may no longer require proficiency in the art of stately dance in order to entertain, impress or find a suitor. But by returning to dances written for the elite during the Baroque period, we have a great treasure awaiting us – we find melodies that found their way into the larger works of the great composers of the Baroque period – the operas and instrumental suites of Telemann, Handel and Purcell, amongst others; such is the richness of the repertoire presented here – and yet whose original link to movement has been lost and forgotten. Hence this album.
Yes, these works were originally conceived to entertain the elite. But, revitalized here in Maya’s arrangements and reconnected with human experience, we extend the invitation to today’s listener to delight how music and movement come together to express more than words alone.’ – Emma Pauncefort, Director, CRD Records
Today, we may no longer require proficiency in the art of stately dance in order to entertain, impress or find a suitor. But by returning to dances written for the elite during the Baroque period, we have a great treasure awaiting us – we find melodies that found their way into the larger works of the great composers of the Baroque period – the operas and instrumental suites of Telemann, Handel and Purcell, amongst others; such is the richness of the repertoire presented here – and yet whose original link to movement has been lost and forgotten. Hence this album.
Yes, these works were originally conceived to entertain the elite. But, revitalized here in Maya’s arrangements and reconnected with human experience, we extend the invitation to today’s listener to delight how music and movement come together to express more than words alone.’ – Emma Pauncefort, Director, CRD Records
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