Anzû Quartet - Adjust (2025) Hi-Res
Artist: Anzû Quartet
Title: Adjust
Year Of Release: 2025
Label: Cantaloupe Music
Genre: Classical
Quality: FLAC 16/24 Bit (96 KHz / tracks+booklet)
Total Time: 40:58 min
Total Size: 193 / 750 MB
WebSite: Album Preview
Tracklist:Title: Adjust
Year Of Release: 2025
Label: Cantaloupe Music
Genre: Classical
Quality: FLAC 16/24 Bit (96 KHz / tracks+booklet)
Total Time: 40:58 min
Total Size: 193 / 750 MB
WebSite: Album Preview
01. No. 1, La flûte de Pan
02. No. 2, La chevelure
03. No. 3, Le tombeau des Naiades
04. No. 1, Le Balcon
05. No. 2, Harmonie du soir
06. No. 3, Le jet d'eau
07. No. 4, Recueillement
08. No. 5, La mort des amants
09. No. 1, C'est l'extase langoureuse
10. No. 2, Il pleure dans mon coeur
11. No. 3, L'ombre des arbres
12. No. 4, Chevaux de bois
13. No. 5, Green
14. No. 6, Spleen
15. No. 1, L'epouse
16. No. 2, Ta voix
17. No. 3, Les deux guerriers
18. No. 4, Le collier
19. No. 5, Prière exaucée
Formed in 2020 and comprised of veterans of New York City's vital contemporary music community, the Anzû Quartet — Olivia De Prato (violin), Ashley Bathgate (cello), Ken Thomson (clarinet) and Karl Larson (piano) — is an ensemble dedicated to the music of our time and the recent canon. The quartet’s first full-length studio release of premiere recordings features new works by Thomson (𝘜𝘯𝘦𝘢𝘴𝘺) and fellow composer Anna Webber (𝘢𝘥𝘫𝘶𝘴𝘵, which lends the album its title).
Thomson’s 𝘜𝘯𝘦𝘢𝘴𝘺 is relentless, kinetic, and emotive, reflecting the pace and anxieties of modern life, while Webber’s 𝘢𝘥𝘫𝘶𝘴𝘵 explores the liminal space between classical contemporary music and experimental jazz. Both works, composed between 2019 and 2022, highlight the quartet’s prowess as interpreters and performers of demanding, modern repertoire, and fulfill Anzû’s mission of commissioning and promoting new repertoire for the instrumentation of Messiaen’s elemental “Quartet for the End of Time,” a new recording of which the quartet will release later in 2025.
Thomson’s 𝘜𝘯𝘦𝘢𝘴𝘺 is relentless, kinetic, and emotive, reflecting the pace and anxieties of modern life, while Webber’s 𝘢𝘥𝘫𝘶𝘴𝘵 explores the liminal space between classical contemporary music and experimental jazz. Both works, composed between 2019 and 2022, highlight the quartet’s prowess as interpreters and performers of demanding, modern repertoire, and fulfill Anzû’s mission of commissioning and promoting new repertoire for the instrumentation of Messiaen’s elemental “Quartet for the End of Time,” a new recording of which the quartet will release later in 2025.
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