Evren Ozel, Jan Mráček, ORF Radio-Symphonieorchester Wien, Howard Griffiths - Mozart: Piano Concertos Nos. 9 in E-Flat Major, KV 271 -Jenamy- & 12 KV 414, Violin Concerto No. 2 KV 211 (2025) [Hi-Res] [Dolby Atmos]

Tracklist

01. Violin Concerto No. 2 in D Major, KV 211: I. Allegro moderato (Cadenzas by Norbert Kubát)
02. Violin Concerto No. 2 in D Major, KV 211: II. Andante (Cadenzas by Norbert Kubát)
03. Violin Concerto No. 2 in D Major, KV 211: III. Rondeau. Allegro (Cadenzas by Norbert Kubát)
04. Piano Concerto No. 9 in E-Flat Major, KV 271 Jenamy: I. Allegro (Cadenzas by W. A. Mozart)
05. Piano Concerto No. 9 in E-Flat Major, KV 271 Jenamy: II. Andantino (Cadenzas by W. A. Mozart)
06. Piano Concerto No. 9 in E-Flat Major, KV 271 Jenamy: III. Rondeau (Cadenzas by W. A. Mozart)
07. Piano Concerto No. 12 in A Major, KV 414/385P: I. Allegro (Cadenzas by W. A. Mozart)
08. Piano Concerto No. 12 in A Major, KV 414/385P: II. Andante (Cadenzas by W. A. Mozart)
09. Piano Concerto No. 12 in A Major, KV 414/385P: III. Rondeau (Cadenzas by W. A. Mozart)



Mozart’s piano concerto in E flat KV 271 has long been known as the ‘Jeunehomme’ — but it was discovered in 2004 that it was actually composed for Louise Victoire Jenamy; Mozart misspelled her name as ‘jenomy’ in a letter to his father in 1778 and so created a misunderstanding that lasted for over two centuries. Mozart composed his piano concerto KV 414 in Vienna in 1783; Evren Ozel, the soloist in these two works, says that this work “is more carefree and allows the performers to explore a gentler and more tender side of Mozart”. It was only two years after his first violin concerto that Mozart – then 19 years old and concertmaster to the Prince-Archbishop of Salzburg — composed his second, KV 211; two more followed within the year. “The art of performing Mozart’s music is to play it with simplicity and life while remaining true to the Classical style”, says Jan Mráček, the second soloist on this, the twelfth volume in the Next Generation Mozart Soloists series conducted by Howard Griffiths.

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