Trace Johnson - Trace Johnson: Works for Cello (2025) Hi-Res

Artist: Trace Johnson
Title: Trace Johnson: Works for Cello
Year Of Release: 2025
Label: Albany Records
Genre: Classical
Quality: FLAC (tracks) / FLAC 24 Bit (88,2 KHz / tracks)
Total Time: 74:24 min
Total Size: 329 MB / 1,2 GB
WebSite: Album Preview
Tracklist:Title: Trace Johnson: Works for Cello
Year Of Release: 2025
Label: Albany Records
Genre: Classical
Quality: FLAC (tracks) / FLAC 24 Bit (88,2 KHz / tracks)
Total Time: 74:24 min
Total Size: 329 MB / 1,2 GB
WebSite: Album Preview
01. Cello Sonata, Op. 6: I. Allegro ma non troppo
02. Cello Sonata, Op. 6: II. Adagio; presto; adagio
03. Cello Sonata, Op. 6: III. Allegro Appassionato
04. All the Pretty Little Horses for Unaccompanied Cello
05. Duo for Violin and Cello: I. Moderato
06. Duo for Violin and Cello: II. Zingaresca
07. Duo for Violin and Cello: III. Andantino
08. Duo for Violin and Cello: IV. Moderato
09. Limbic Notes for Unaccompanied Cello: I. Fidget
10. Limbic Notes for Unaccompanied Cello: II. Hushing song
11. Limbic Notes for Unaccompanied Cello: III. Devilkin
12. The Songs of Agartha: I. Beneath the Mongolian Desert
13. The Songs of Agartha: II. The Library of Lost Knowledge
14. The Songs of Agartha: III. Dance for the King of the World
15. Ricercare Una Melodia for Cello and Electronics
Trace Johnson is the rare example of a cerebral cellist. On WORKS FOR CELLO, the Wisconsinite pursues his advocacy for contemporary composition, presenting a meticulously-equilibrated mix of old and new.
The curation is precise, razor-sharp even, just like Johnson’s playing. The past is featured in the form of compositions by Samuel Barber (American) and Erwin Schulhoff (Czech); the present with works of Melinda Wagner, Jonathan Harvey and Laura Schwendinger (American) and Guillaume Connesson (French). Johnson gives an impeccable, seamless performance, expertly matching the cohesiveness of his finely-tuned program with great intellectual rigor.
The curation is precise, razor-sharp even, just like Johnson’s playing. The past is featured in the form of compositions by Samuel Barber (American) and Erwin Schulhoff (Czech); the present with works of Melinda Wagner, Jonathan Harvey and Laura Schwendinger (American) and Guillaume Connesson (French). Johnson gives an impeccable, seamless performance, expertly matching the cohesiveness of his finely-tuned program with great intellectual rigor.