Sviatoslav Richter - Schumann: Fantasy for Piano, Waldszenen, Fantasiestücke, Marsch (2008)

  • 29 Jul, 08:44
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Artist:
Title: Schumann: Fantasy for Piano, Waldszenen, Fantasiestücke, Marsch
Year Of Release: 2008
Label: Supraphon
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:15:06
Total Size: 345 Mb
WebSite:

Tracklist:

01. Fantasie for Piano in C Major, Op. 17: Allegro fantastico e con passione (00:12:58)
02. Fantasie for Piano in C Major, Op. 17: Moderato, ma energico (00:06:40)
03. Fantasie for Piano in C Major, Op. 17: Andante sostenuto e sempre mezza voce (00:10:52)
04. Waldszenen, Op. 82: No. 1, Eintritt im Walde (00:01:56)
05. Waldszenen, Op. 82: No. 2, Jäger auf der Lauer (00:01:06)
06. Waldszenen, Op. 82: No. 3, Einsame Blumen (00:01:59)
07. Waldszenen, Op. 82: No. 4, Verrufene Stelle (00:03:16)
08. Waldszenen, Op. 82: No. 5, Freundliche Landschaft (00:01:08)
09. Waldszenen, Op. 82: No. 6, Herberge (00:02:17)
10. Waldszenen, Op. 82: No. 7, Vogel als Prophet (00:02:39)
11. Waldszenen, Op. 82: No. 8, Jagdlied (00:02:08)
12. Waldszenen, Op. 82: No. 9, Abschied (00:03:39)
13. Fantasiestücke, Op. 12: Des Abends (00:04:05)
14. Fantasiestücke, Op. 12: Aufschwung (00:02:46)
15. Fantasiestücke, Op. 12: Warum? (00:03:15)
16. Fantasiestücke, Op. 12: In der Nacht (00:03:42)
17. Fantasiestücke, Op. 12: Traumes Wirren (00:02:04)
18. Fantasiestücke, Op. 12: Ende vom Lied (00:05:20)
19. 4 Marches, Op. 76: No. 2 in G Minor (00:03:16)

Total length: 01:15:06
Label: SUPRAPHON a.s.

Performers:
Sviatoslav Richter (piano)

The music of Robert Schumann and the artistry of Sviatoslav Richter are a natural match. Schumann was loathe to use flashy, purely virtuosic elements in his compositions, a fact brilliantly illustrated in the vast majority of his works for solo piano. Rather, Schumann was much more likely to tell a story, paint a picture, or read a poem through his music, although his works were not overtly programmatic. Richter possessed a technique virtually unrivaled during his career and was able to definitively toss off even the most technically demanding works. At his heart, however, Richter was a poet and an artist with profound musical insights and introspections. This album, featuring recordings made in the late '50s, is one of Richter's surviving albums in which poor sound quality does not distract listeners from this artistry. His performances of the C major Fantasy, the Op. 82 Waldszenen, and the Op. 12 Fantasiestucke are magnificently refined, unhurried, and unsullied by some pianists' need to make the works flashier then they need to be. Schumann's works allow listeners to hear the warmer, more tender side of Richter in a way that not even his commanding performances of the Beethoven sonatas allow. Surprisingly spacious for a monaural recording, the restored sound quality throughout generally achieves a pleasing balance of warmth and clarity.