Brno State Philharmonic Orchestra, Václav Smetáček - Smetana: Dalibor (2012)

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Artist:
Title: Smetana: Dalibor
Year Of Release: 2012
Label: Supraphon
Genre: Classical
Quality: FLAC (tracks)
Total Time: 02:24:12
Total Size: 759 Mb
WebSite:

Tracklist:

01. Dalibor, ., Act I: "Today the Judgement Will Be Passed" (00:03:40)
02. Dalibor, ., Act I: "An Orphan, Abandonned" (Jitka, selské děvče na statcích Daliborových) (00:04:09)
03. Dalibor, ., Act I: "March" (00:02:59)
04. Dalibor, ., Act I: "You Know By Now How Our Kingdom Fair" (Vladislav, král český) (00:03:27)
05. Dalibor, ., Act I: "Step Forward Without Fear" (Vladislav, král český, Milada, sestra purkrabího ploškovického, Jitka, selské děvče na statcích Daliborových) (00:03:11)
06. Dalibor, ., Act I: "The Sun Did Set" (Vladislav, král český, Milada, sestra purkrabího ploškovického, Jitka, selské děvče na statcích Daliborových) (00:06:55)
07. Dalibor, ., Act I: "Ah, What a Sight!" (Vladislav, král český, Milada, sestra purkrabího ploškovického) (00:01:29)
08. Dalibor, ., Act I: "I Won´t Deny, Lies Are Not My Province" (Dalibor, rytíř, Milada, sestra purkrabího ploškovického) (00:05:41)
09. Dalibor, ., Act I: "Committing Crime Thou Hast Thus Helped Thyself!" (Vladislav, král český, Dalibor, rytíř, Milada, sestra purkrabího ploškovického) (00:02:55)
10. Dalibor, ., Act I: "Thus, Dalibor, Reads Judgement Unanimous" (Dalibor, rytíř, jeden ze soudců) (00:04:49)
11. Dalibor, ., Act I: "Here Do You See Me Bending Low" (Vladislav, král český, Milada, sestra purkrabího ploškovického) (00:03:24)
12. Dalibor, ., Act I: "What Storm Here in My Bosom Is Raging" (Milada, sestra purkrabího ploškovického, Jitka, selské děvče na statcích Daliborových) (00:03:28)
13. Dalibor, ., Act II: "Oh, Yes, the Gayest Is This Our World" (00:03:46)
14. Dalibor, ., Act II: "By This Gay Song" (Vítek, posel Daliborův, Jitka, selské děvče na statcích Daliborových) (00:02:48)
15. Dalibor, ., Act II: "Of Dalibor´s Fate Didst Thou Surely Hear?" (Vítek, posel Daliborův, Jitka, selské děvče na statcích Daliborových) (00:02:19)
16. Dalibor, ., Act II: "Oh, Yes, the Gayest Is This Our World" (Vítek, posel Daliborův, Jitka, selské děvče na statcích Daliborových) (00:04:41)
17. Dalibor, ., Act II: "Change of stage I - Here Greatest Vigilance Is Needed" (Budivoj, velitel královské hradní stráže, Beneš, žalářník) (00:06:55)
18. Dalibor, ., Act II: "Oh, How Saddening Is a Jailer´s Life, How Hard" (Beneš, žalářník) (00:02:24)
19. Dalibor, ., Act II: "Everything Is Ready" (Beneš, žalářník, Milada, sestra purkrabího ploškovického) (00:04:56)
20. Dalibor, ., Act II: "Oh, Goodness!" (Milada, sestra purkrabího ploškovického) (00:02:57)
21. Dalibor, ., Act II: "Here Is the Violin" (Beneš, žalářník, Milada, sestra purkrabího ploškovického) (00:02:10)
22. Dalibor, ., Act II: "Change of stage II. Listesso tempo" (00:05:15)
23. Dalibor, ., Act II: "It Was He Again?" (Dalibor, rytíř) (00:04:16)
24. Dalibor, ., Act II: "Accept, I Beg, This Trifle from My Hand!" (Dalibor, rytíř, Milada, sestra purkrabího ploškovického) (00:03:22)
25. Dalibor, ., Act II: "Dalibor, I Beg Your Pardon" (Dalibor, rytíř, Milada, sestra purkrabího ploškovického) (00:03:09)
26. Dalibor, ., Act II: "Oh, Unspeakable Charm of Love!" (Dalibor, rytíř, Milada, sestra purkrabího ploškovického) (00:05:10)
27. Dalibor, ., Act III: "Glourious King!" (Budivoj, velitel královské hradní stráže) (00:03:05)
28. Dalibor, ., Act III: "It Will be Near to Forty Years" (Beneš, žalářník) (00:03:39)
29. Dalibor, ., Act III: "At This Late Hour" (Vladislav, král český) (00:05:03)
30. Dalibor, ., Act III: "Are You Ready?" (Vladislav, král český) (00:05:22)
31. Dalibor, ., Act III: "Change of Stage I - It´s the Third Night" (Dalibor, rytíř) (00:03:13)
32. Dalibor, ., Act III: "Oh, Heaven! He Shook His Chains!" (Dalibor, rytíř, Budivoj, velitel královské hradní stráže) (00:04:45)
33. Dalibor, ., Act III: "Let so It Be!" (Dalibor, rytíř) (00:03:51)
34. Dalibor, ., Act III: "Change of stage II. - A la marcia" (00:01:53)
35. Dalibor, ., Act III: "No Trace as Yet of Our Covened Signal?" (Milada, sestra purkrabího ploškovického, Jitka, selské děvče na statcích Daliborových) (00:05:19)
36. Dalibor, ., Act III: "Milada! - Where am I?" (Dalibor, rytíř, Milada, sestra purkrabího ploškovického) (00:03:20)
37. Dalibor, ., Act III: "Oh, Behold This Tender Rosebud" (Jitka, selské děvče na statcích Daliborových) (00:02:20)
38. Dalibor, ., Act III: "Enemy Troops Are Beaten" (Dalibor, rytíř, Budivoj, velitel královské hradní stráže) (00:02:07)

Total length: 02:24:12
Label: SUPRAPHON a.s.

Performers:
Václav Zítek (King of Bohemia)
Vilém Přibyl (Dalibor)
Bohuslav Maršík (Budivoj)
Jaroslav Horáček (Beneš)
Miloš Ježil (Vítek)
Eva Děpoltová (Milada)
Naďa Šormová (Jitka) & Karel Hanuš (One of the judges)
Brno State Opera Chorus & Brno State Philharmonic Orchestra
Václav Smetáček

Bedřich Smetana’s opera Dalibor resembles a heroic canvas with miniature paintings of emotional turmoil in men’s hearts. The story which drew on the historical reports from 1497—1498 enabled the librettist Josef Wenzig to develop potent situations, some of which had already proven effective. Nevertheless, the composer chose another approach. The musical interpretation of the story, the characters and mainly their inner life was so autonomous and convincing that it made his final work timeless. He transformed the medieval subject matter of love at first sight into a hymn about defiance and freedom. He equipped the opera with well-arranged leitmotifs and made his characters musically vivid far beyond what the text had offered.

The rebellious haughtiness of the main hero was softened by emotional fervour whereas the main heroine’s grievance was balanced by repentance. Moreover, the ruler who is supposed to punish crime reveals his sensible nature and the minor folk characters gain human dimension in the opera. Through the detailed composition and the ever-repeating omen of tragic end the work achieved its constant inner suspense. Arias, ariosa, duets, choirs as well as interludes are brought together in a vast scene which supports the arch of grand musical architecture, the shape of which is not similar to others. Smetana’s Dalibor is well ahead of time due to its musical and dramatic properties. In addition, the demands for recitation make it progressive as well. The challenging voice parts of the main characters ranging from lyrical fineness to the dramatic vintage performance along with the emphasis on the powerful interpretation did not have their counterpart in the Czech opera until the time of Dalibor’s premiere in 1868.