King Curtis - The Platinum Collection (2007)

Artist: King Curtis
Title: The Platinum Collection
Year Of Release: 2007
Label: Rhino
Genre: Jazz, Rhythm & Blues
Quality: Mp3 320 / Flac (tracks)
Total Time: 01:14:07
Total Size: 180/460 Mb
WebSite: Album Preview
Tracklist:Title: The Platinum Collection
Year Of Release: 2007
Label: Rhino
Genre: Jazz, Rhythm & Blues
Quality: Mp3 320 / Flac (tracks)
Total Time: 01:14:07
Total Size: 180/460 Mb
WebSite: Album Preview
01. Memphis Soul Stew (Single/LP Version) 3:00
02. Spanish Harlem (LP Version) 2:46
03. In the Midnight Hour (LP Version) 2:39
04. Knock on Wood (LP Version) 3:01
05. Hold on I'm Coming 2:41
06. Fa-Fa-Fa-Fa-Fa (Sad Song) (LP Version) 2:40
07. I Heard It Through the Grapevine (LP Version) 3:20
08. Spooky (LP Version) 2:48
09. The Look of Love (LP Version) 2:31
10. Michelle (LP Version) 2:09
11. Honky Tonk (LP Version) 4:54
12. The Dog (aka Walking the Dog) (LP Version) 2:39
13. Whiter Shade of Pale 3:54
14. Sittin' on the Dock of the Bay (LP Version) 2:43
15. Good to Me (LP Version) 2:30
16. Ode to Billie Joe (Live @ Fillmore West) 3:19
17. Soul Serenade (Live @ Fillmore West) 5:32
18. I Stand Accused (Live @ Fillmore West) 6:05
19. Them Changes (Live At Fillmore West) 5:33
20. Whole Lotta Love (Live @ Fillmore West) 2:16
21. Signed, Sealed, Delivered (I'm Yours) [Live at Fillmore West, 3/5/1971] (Live @ Fillmore West) 2:37
22. Mr. Bojangles (Live @ Fillmore West) 4:30
King Curtis and his bubbling, stutter-style tenor sax playing brought a touch of jazz and a whole ton of R&B to countless rock & roll tracks in the early '60s, and his funky edge is one of the reasons records by the Coasters, for instance, continue to sound good 40 years later. This collection brings together a set of late-'60s tracks Curtis recorded while signed to Atlantic Records. This isn't quite the wild, hard-blowing and honking Curtis that most people will recall from his Enjoy sessions, but shows him tamed down a notch or two, although that's a relative assessment, since Curtis still packs a punch here. Two of these cuts were radio staples in 1967, the classic "Memphis Soul Stew" (which includes, in Curtis' own words, "a half pint of horn") and an instrumental version of Bobbie Gentry's "Ode to Billy Joe." Curtis often worked with arranger Arif Mardin during this period, and their collaboration is showcased here in the beautiful and easy groove of Jerry Leiber and Mike Stoller's "Spanish Harlem." The Enjoy sessions are still the place to start with King Curtis, but this set is a whole lot of fun.~Steve Leggett