Dénes Várjon - Dénes Várjon plays Béla Bartók (2025) [Hi-Res]
Artist: Dénes Várjon
Title: Dénes Várjon plays Béla Bartók
Year Of Release: 2025
Label: CAvi-music
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:10:23
Total Size: 201 MB / 1.02 GB
WebSite: Album Preview
Tracklist:Title: Dénes Várjon plays Béla Bartók
Year Of Release: 2025
Label: CAvi-music
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:10:23
Total Size: 201 MB / 1.02 GB
WebSite: Album Preview
1. Bartók: Improvisations on Hungarian Peasant Songs, Sz. 74: I. Molto moderato (1:14)
2. Bartók: Improvisations on Hungarian Peasant Songs, Sz. 74: II. Molto capriccioso (1:03)
3. Bartók: Improvisations on Hungarian Peasant Songs, Sz. 74: III. Lento, rubato (2:33)
4. Bartók: Improvisations on Hungarian Peasant Songs, Sz. 74: IV. Allegretto scherzando (0:42)
5. Bartók: Improvisations on Hungarian Peasant Songs, Sz. 74: V. Allegro molto (0:51)
6. Bartók: Improvisations on Hungarian Peasant Songs, Sz. 74: VI. Allegro moderato, molto capriccioso (1:30)
7. Bartók: Improvisations on Hungarian Peasant Songs, Sz. 74: VII. Sostenuto, rubato (2:06)
8. Bartók: Improvisations on Hungarian Peasant Songs, Sz. 74: VIII. Allegro (2:00)
9. Bartók: 7 Sketches, Sz. 44: No. 1, Portrait d'une jeune fille. Andante con moto (1:46)
10. Bartók: 7 Sketches, Sz. 44: No. 2, Balançoire. Comodo (0:50)
11. Bartók: 7 Sketches, Sz. 44: No. 3, Lento (1:51)
12. Bartók: 7 Sketches, Sz. 44: No. 4, Non troppo lento – Tempo I (3:18)
13. Bartók: 7 Sketches, Sz. 44: No. 5, Mélodie populaire roumaine. Andante rubato (1:15)
14. Bartók: 7 Sketches, Sz. 44: No. 6, A la manière valaque. Allegretto (0:37)
15. Bartók: 7 Sketches, Sz. 44: No. 7, Poco lento (1:55)
16. Bartók: Allegro barbaro, Sz. 49 (2:31)
17. Bartók: 2 Elegies, Sz. 41: No. 1, Grave (6:33)
18. Bartók: 2 Elegies, Sz. 41: No. 2, Molto adagio, sempre rubato (7:10)
19. Bartók: Suite for Piano, Sz. 62: I. Allegretto (1:52)
20. Bartók: Suite for Piano, Sz. 62: II. Scherzo (1:47)
21. Bartók: Suite for Piano, Sz. 62: III. Allegro molto (2:07)
22. Bartók: Suite for Piano, Sz. 62: IV. Sostenuto (3:31)
23. Bartók: 3 Hungarian Folksongs from the Csìk, Sz. 35a: No. 1, Rubato (1:37)
24. Bartók: 3 Hungarian Folksongs from the Csìk, Sz. 35a: No. 2, L’istesso tempo (1:30)
25. Bartók: 3 Hungarian Folksongs from the Csìk, Sz. 35a: No. 3, Poco vivo (0:46)
26. Bartók: Sonatina, Sz. 55: I. Bagpipes. Allegretto (1:36)
27. Bartók: Sonatina, Sz. 55: II. Bear Dance. Moderato (0:36)
28. Bartók: Sonatina, Sz. 55: III. Finale. Allegro vivace (1:53)
29. Bartók: 15 Hungarian Peasant Songs for Piano, Sz. 71: No. 1, Rubato (1:05)
30. Bartók: 15 Hungarian Peasant Songs for Piano, Sz. 71: No. 2, Andante (1:57)
31. Bartók: 15 Hungarian Peasant Songs for Piano, Sz. 71: No. 3, Poco rubato (0:41)
32. Bartók: 15 Hungarian Peasant Songs for Piano, Sz. 71: No. 4, Andante (0:38)
33. Bartók: 15 Hungarian Peasant Songs for Piano, Sz. 71: No. 5, Allegro (0:41)
34. Bartók: 15 Hungarian Peasant Songs for Piano, Sz. 71: No. 6, Ballade. Andante (2:41)
35. Bartók: 15 Hungarian Peasant Songs for Piano, Sz. 71: No. 7, Allegro (0:50)
36. Bartók: 15 Hungarian Peasant Songs for Piano, Sz. 71: No. 8, Allegretto (0:31)
37. Bartók: 15 Hungarian Peasant Songs for Piano, Sz. 71: No. 9, Allegretto (0:13)
38. Bartók: 15 Hungarian Peasant Songs for Piano, Sz. 71: No. 10, L'istesso tempo (0:29)
39. Bartók: 15 Hungarian Peasant Songs for Piano, Sz. 71: No. 11, Assai moderato (0:46)
40. Bartók: 15 Hungarian Peasant Songs for Piano, Sz. 71: No. 12, Allegretto (0:37)
41. Bartók: 15 Hungarian Peasant Songs for Piano, Sz. 71: No, 13, Poco più vivo (0:32)
42. Bartók: 15 Hungarian Peasant Songs for Piano, Sz. 71: No. 14, Allegro (0:34)
43. Bartók: 15 Hungarian Peasant Songs for Piano, Sz. 71: No. 15, Allegro (1:30)
Bartók, for me, is truly one of the most important composers
“Bartók, for me, is truly one of the most important composers, on a par with Beethoven and Mozart.” In our interview about the piano works on this album, Hungarian pianist Dénes Várjon constantly expressed deep admiration, a keen understanding of this music, and a strong affinity with the composer’s personality. For this musician, bringing Bartók closer to the audience as a person and an artist is a labour of love. ”I grew up with his music. It feels like a mother tongue to me. And I’m interested in everything he wrote, from the earliest works to the late ones. It’s so important to see the traditions he came from and to understand how he found his voice as a composer.”
Várjon notes that Bartók was fascinated by the simplicity and sincerity of the people who sang these songs to him. Those two traits probably corresponded with Bartók’s own personality as an artist and a human being. “When I look at photos of him, what I see is a simple, sincere man; there seems to be nothing false or hypocritical in his character.
He also seems highly vulnerable. Bartók spoke slowly, quite naturally, but not much. He never tried to put on a show to win his audience’s favour. He was truly an authentic person. At the same time, he had the energy and temperament of a volcano rumbling inside him – an energy he harnessed with an astounding amount of sheer discipline. The result was a high degree of fascinating, unresolved tension. Bartók, like Schubert, is one of the composers I find the most moving.”
“Bartók, for me, is truly one of the most important composers, on a par with Beethoven and Mozart.” In our interview about the piano works on this album, Hungarian pianist Dénes Várjon constantly expressed deep admiration, a keen understanding of this music, and a strong affinity with the composer’s personality. For this musician, bringing Bartók closer to the audience as a person and an artist is a labour of love. ”I grew up with his music. It feels like a mother tongue to me. And I’m interested in everything he wrote, from the earliest works to the late ones. It’s so important to see the traditions he came from and to understand how he found his voice as a composer.”
Várjon notes that Bartók was fascinated by the simplicity and sincerity of the people who sang these songs to him. Those two traits probably corresponded with Bartók’s own personality as an artist and a human being. “When I look at photos of him, what I see is a simple, sincere man; there seems to be nothing false or hypocritical in his character.
He also seems highly vulnerable. Bartók spoke slowly, quite naturally, but not much. He never tried to put on a show to win his audience’s favour. He was truly an authentic person. At the same time, he had the energy and temperament of a volcano rumbling inside him – an energy he harnessed with an astounding amount of sheer discipline. The result was a high degree of fascinating, unresolved tension. Bartók, like Schubert, is one of the composers I find the most moving.”
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