Ofer Canetti, Andrei Gologan, Württembergische Philharmonie Reutlingen & Friederike Kienle - Ben-Haim: Music for Violoncello (2025) [Hi-Res]
Artist: Ofer Canetti, Andrei Gologan, Württembergische Philharmonie Reutlingen, Friederike Kienle
Title: Ben-Haim: Music for Violoncello
Year Of Release: 2025
Label: Capriccio
Genre: Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks)
Total Time: 01:12:09
Total Size: 274 / 686 MB
WebSite: Album Preview
Tracklist:Title: Ben-Haim: Music for Violoncello
Year Of Release: 2025
Label: Capriccio
Genre: Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks)
Total Time: 01:12:09
Total Size: 274 / 686 MB
WebSite: Album Preview
1. Cello Concerto: I. Allegro giusto (9:44)
2. Cello Concerto: II. Sostenuto e languido (6:57)
3. Cello Concerto: III. Allegro gioioso (9:52)
4. Three Songs Without Words (Arr. for Cello & Orchestra by Anonymous): I. Arioso (4:35)
5. Three Songs Without Words (Arr. for Cello & Orchestra by Anonymous): II. Ballad (2:53)
6. Three Songs Without Words (Arr. for Cello & Orchestra by Anonymous): III. Slow (4:13)
7. Music for Violoncello: I. Moderato (4:52)
8. Music for Violoncello: II. Rather Fast, Lively (2:13)
9. Music for Violoncello: III. Slow (3:47)
10. Two Landscapes, Op. 27: I. The Hills of Judea. Molto sostenuto e solenne (6:29)
11. Two Landscapes, Op. 27: II. The Spring. Allegretto scherzando (3:21)
12. Sonata for 2 Mandolins, Guitar, Harpsichord, Harp & String Orchestra: I. Allegro aperto (3:41)
13. Sonata for 2 Mandolins, Guitar, Harpsichord, Harp & String Orchestra: II. Calmo (3:47)
14. Sonata for 2 Mandolins, Guitar, Harpsichord, Harp & String Orchestra: III. Moderato (5:54)
Paul Ben-Haim, one of the leading Israeli composers of his generation, was born Paul Frankenburger in Munich. He studied composition with Friedrich Klose and served as assistant conductor to both Bruno Walter and Hans Knappertsbusch. His extensive output comprises works in all the principal genres, apart from opera, and music either for or with cello features prominently throughout. After he emigrated, Ben-Haim increasingly advocated a specifically Jewish national expression; his own compositions favoured a late-Romantic vein suggestive of Ernest Bloch and were frequently informed by Middle-Eastern overtones.
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