Ronan Kernoa - J. S. Bach: The Cello Suites on Six Different Instruments (2025) [Hi-Res]
Artist: Ronan Kernoa
Title: J. S. Bach: The Cello Suites on Six Different Instruments
Year Of Release: 2025
Label: Ramée
Genre: Classical
Quality: FLAC (tracks) / 24bit-192kHz FLAC (tracks)
Total Time: 02:29:04
Total Size: 697 MB / 2.92 GB
WebSite: Album Preview
Tracklist:Title: J. S. Bach: The Cello Suites on Six Different Instruments
Year Of Release: 2025
Label: Ramée
Genre: Classical
Quality: FLAC (tracks) / 24bit-192kHz FLAC (tracks)
Total Time: 02:29:04
Total Size: 697 MB / 2.92 GB
WebSite: Album Preview
CD1
1. Cello Suite No. 1 in G Major, BWV 1007: I. Prélude (3:35)
2. Cello Suite No. 1 in G Major, BWV 1007: II. Allemande (6:01)
3. Cello Suite No. 1 in G Major, BWV 1007: III. Courante (2:49)
4. Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande (3:12)
5. Cello Suite No. 1 in G Major, BWV 1007: V. Menuet I - Menuet II (3:17)
6. Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue (1:56)
7. Cello Suite No. 2 in D Minor, BWV 1008: I. Prélude (4:50)
8. Cello Suite No. 2 in D Minor, BWV 1008: II. Allemande (4:23)
9. Cello Suite No. 2 in D Minor, BWV 1008: III. Courante (2:20)
10. Cello Suite No. 2 in D Minor, BWV 1008: IV. Sarabande (4:54)
11. Cello Suite No. 2 in D Minor, BWV 1008: V. Menuet I - Menuet II (3:08)
12. Cello Suite No. 2 in D Minor, BWV 1008: VI. Gigue (3:10)
13. Cello Suite No. 3 in C Major, BWV 1009: I. Prélude (3:53)
14. Cello Suite No. 3 in C Major, BWV 1009: II. Allemande (4:09)
15. Cello Suite No. 3 in C Major, BWV 1009: III. Courante (2:54)
16. Cello Suite No. 3 in C Major, BWV 1009: IV. Sarabande (4:38)
17. Cello Suite No. 3 in C Major, BWV 1009: V. Bourrée I - Bourrée II (3:33)
18. Cello Suite No. 3 in C Major, BWV 1009: VI. Gigue (3:27)
CD2
1. Cello Suite No. 4 in E-Flat Major, BWV 1011: I. Prélude (4:11)
2. Cello Suite No. 4 in E-Flat Major, BWV 1011: II. Allemande (5:47)
3. Cello Suite No. 4 in E-Flat Major, BWV 1011: III. Courante (3:44)
4. Cello Suite No. 4 in E-Flat Major, BWV 1011: IV. Sarabande (4:35)
5. Cello Suite No. 4 in E-Flat Major, BWV 1011: V. Bourrée I - Bourrée II (5:18)
6. Cello Suite No. 4 in E-Flat Major, BWV 1011: VI. Gigue (3:56)
7. Cello Suite No. 5 in C Minor, BWV 1011: I. Prélude (7:33)
8. Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande (5:30)
9. Cello Suite No. 5 in C Minor, BWV 1011: III. Courante (2:43)
10. Cello Suite No. 5 in C Minor, BWV 1011: IV. Sarabande (2:47)
11. Cello Suite No. 5 in C Minor, BWV 1011: V. Gavotte I - Gavotte II (4:57)
12. Cello Suite No. 5 in C Minor, BWV 1011: VI. Gigue (2:10)
13. Cello Suite No. 6 in D Major, BWV 1012: I. Prélude (5:28)
14. Cello Suite No. 6 in D Major, BWV 1012: II. Allemande (8:04)
15. Cello Suite No. 6 in D Major, BWV 1012: III. Courante (4:05)
16. Cello Suite No. 6 in D Major, BWV 1012: IV. Sarabande (3:13)
17. Cello Suite No. 6 in D Major, BWV 1012: V. Gavotte I - Gavotte II (4:29)
18. Cello Suite No. 6 in D Major, BWV 1012: VI. Gigue (4:40)
The term violoncello was particularly fluid in the early 18th century: it referred to a wide range of bowed stringed instruments of different sizes and shapes, generally with four or five strings; some of these instruments were held between the knees and others were supported by the arm. So when Bach’s wife, Anna Magdalena, wrote Suites à Violoncello Solo senza Basso (Suites for Solo Cello without Bass) on the title page of her manuscript copy, we cannot be entirely sure what type of instrument she was referring to.
It is said that Bach himself played both the violin and the viola exceptionally well, and it is quite possible that he originally composed the suites for his own use and played them on a violoncello piccolo held on the arm, using viola fingerings. It is, however, also possible that he composed these works for other virtuosi known to him, these including Gregor Christoph Eylenstein, concertmaster of the Weimar court orchestra, and the Leipzig violinist Carl Gotthelf Gerlach. While being excellent violinists, they were also known as experts on the cello and viola d'amore. These considerations—and the observation that certain suites seem particularly well suited to specific instruments—inspired Ronan Kernoa to record the six suites on six different instruments.
It is said that Bach himself played both the violin and the viola exceptionally well, and it is quite possible that he originally composed the suites for his own use and played them on a violoncello piccolo held on the arm, using viola fingerings. It is, however, also possible that he composed these works for other virtuosi known to him, these including Gregor Christoph Eylenstein, concertmaster of the Weimar court orchestra, and the Leipzig violinist Carl Gotthelf Gerlach. While being excellent violinists, they were also known as experts on the cello and viola d'amore. These considerations—and the observation that certain suites seem particularly well suited to specific instruments—inspired Ronan Kernoa to record the six suites on six different instruments.
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Ronan Kernoa - J. S. Bach- The Cello Suites on Six Different Instruments FLAC.rar - 697.8 MB
Ronan Kernoa - J. S. Bach_ The Cello Suites on Six Different Instruments Hi-Res.part1.rar - 2.9 GB
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Ronan Kernoa - J. S. Bach- The Cello Suites on Six Different Instruments FLAC.rar - 697.8 MB
Ronan Kernoa - J. S. Bach_ The Cello Suites on Six Different Instruments Hi-Res.part1.rar - 2.9 GB
Ronan Kernoa - J. S. Bach_ The Cello Suites on Six Different Instruments Hi-Res.part2.rar - 2.3 GB
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