Tjasha Gafner - From Keys to Strings (2025) [Hi-Res]

  • 09 Oct, 17:56
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Artist:
Title: From Keys to Strings
Year Of Release: 2025
Label: Genuin
Genre: Classical Harp
Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
Total Time: 00:59:33
Total Size: 232 / 1019 mb
WebSite:

Tracklist

01. Keyboard Sonata in A-Flat Major, Hob. XVI:43 (Arr. for Harp by Tjasha Gafner): I. Moderato
02. Keyboard Sonata in A-Flat Major, Hob. XVI:43 (Arr. for Harp by Tjasha Gafner): II. Minuet I-II
03. Keyboard Sonata in A-Flat Major, Hob. XVI:43 (Arr. for Harp by Tjasha Gafner): III. Rondo. Presto
04. Lute Suite in C Minor, BWV 997 (Arr. for Harp by Tjasha Gafner): I. Prelude
05. Lute Suite in C Minor, BWV 997 (Arr. for Harp by Tjasha Gafner): II. Fuga
06. Lute Suite in C Minor, BWV 997 (Arr. for Harp by Tjasha Gafner): III. Sarabande
07. Lute Suite in C Minor, BWV 997 (Arr. for Harp by Tjasha Gafner): IV. Gigue
08. Lute Suite in C Minor, BWV 997 (Arr. for Harp by Tjasha Gafner): V. Double
09. Piano Sonata No. 1 in C Major, K. 279 (Arr. for Harp by Tjasha Gafner): I. Allegro
10. Piano Sonata No. 1 in C Major, K. 279 (Arr. for Harp by Tjasha Gafner): II. Andante
11. Piano Sonata No. 1 in C Major, K. 279 (Arr. for Harp by Tjasha Gafner): III. Allegro
12. Keyboard Sonata in E Minor, Hob. XVI:47bis (Arr. for Harp by Tjasha Gafner): I. Larghetto
13. Keyboard Sonata in E Minor, Hob. XVI:47bis (Arr. for Harp by Tjasha Gafner): II. Allegro
14. Keyboard Sonata in E Minor, Hob. XVI:47bis (Arr. for Harp by Tjasha Gafner): III. Finale. Tempo di minuet

Tjasha Gafner - From Keys to Strings (2025) [Hi-Res]


A rarely heard, fascinating solo instrument and an internationally multi-award-winning performer: on the new GENUIN album „From Keys to Strings“, we are presented with an exciting combination! For her prizewinner production from the 2023 ARD Music Competition, harpist Tjasha Gafner has put together an unusual program in which she arranged works for her instrument. These are pieces that Joseph Haydn and Wolfgang Amadeus Mozart originally wrote for keyboard – or, in the case of Johann Sebastian Bach, for lute (or a lute-harpsichord?). The clarity and transparency of both transcription and interpretation by this outstanding young harpist provide surprising insights and new listening experiences!


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