Joel Cusumano - Waxworld (2025)

We’re not worthy! Joel Cusumano has just released his magnum opus, Waxworld, and it’s absolutely fantastic. Cusumano is one of those rare guitarists whose ability and creativity elevate every project he touches—you might know him from Sob Stories, Cocktails, R.E. Seraphin (who plays bass here, alongside members of Ryli, Neutrals, Chime School, and The Mantles), RAZZ, or Body Double. On top of that, his impeccable taste—see his Odd Pop playlists—explains a lot about why Waxworld sounds so distinct.

This isn’t your average record. It’s the sound of someone who loves pop music too much to play it straight. It’s catchy but never sugary, melodic but never obvious. Call it power pop, indie rock, or alternative—what really stands out is the songwriting. The record is full of inventive ideas, each track feels fully realized, and the whole thing keeps unfolding the more you play it. Cusumano is an original guitarist with an unconventional singing style. His voice doesn’t try to impress you; it just tells the truth in its own crooked way, and on songs like No Hello and Maybe In A Different World, he channels something close to Craig Finn’s reflective storytelling.

There are also moments of instant gratification—Two Arrows could be a college radio hit, while Mary Katherine is pure ear candy, a rare love song amid themes of heartbreak and mental struggle. Its sparkling guitar line, inspired by Felt and Close Lobsters, makes it one of the most uplifting moments on the album.

I’ve spent way more time with Waxworld than my listening pile allows, but I keep coming back. It feels like Cusumano poured his heart and soul into every note. Waxworld is a true piece of art with lasting power—out now on LP at Dandy Boy Records.