Elmar Oliveira and Robert Koenig - Elgar & Fauré: Violin Sonatas (2000)

      Artist: Elmar Oliveira, Robert Koenig
Title: Elgar: Violin Sonata, Op. 82 / Fauré: Violin Sonata, Op. 13
Year Of Release: 2000
Label: Artek
Genre: Classical
Quality: FLAC (tracks + booklet)
Total Time: 45:53
Total Size: 201 MB
WebSite: Album Preview
      
   
    
		Tracklist:Title: Elgar: Violin Sonata, Op. 82 / Fauré: Violin Sonata, Op. 13
Year Of Release: 2000
Label: Artek
Genre: Classical
Quality: FLAC (tracks + booklet)
Total Time: 45:53
Total Size: 201 MB
WebSite: Album Preview
1. Elmar Oliveira & Robert Koenig – Violin Sonata In e Minor, Op. 82: I. Allegro (07:05)
2. Robert Koenig & Elmar Oliveira – Violin Sonata In e Minor, Op. 82: II. Romance: Andante (07:12)
3. Elmar Oliveira & Robert Koenig – Violin Sonata In e Minor, Op. 82: III. Allegro Non Troppo (07:50)
4. Elmar Oliveira & Robert Koenig – Violin Sonata No. 1 In a Major, Op. 13: I. Allegro Molto (07:27)
5. Elmar Oliveira & Robert Koenig – Violin Sonata No. 1 In a Major, Op. 13: II. Andante (06:58)
6. Elmar Oliveira & Robert Koenig – Violin Sonata No. 1 In a Major, Op. 13: III. Allegro Vivo (03:48)
7. Elmar Oliveira & Robert Koenig – Violin Sonata No. 1 In a Major, Op. 13: IV. Allegro Quasi Presto (05:30)
Has there ever been a coupling of the violin sonatas of Edward Elgar and Gabriel Fauré before? If not, why not? They're a natural together: Elgar's reticently ardent sonata is well matched by Fauré's fervently reserved sonata. While both Elgar and Fauré are B-list nineteenth century composers, their sonatas together are a compelling double portrait of Europe at the edge of a cultural abyss.
If there has never been a coupling of Elgar and Fauré's violin sonatas before, there is now in this one by Elmar Oliveira and Robert Koenig on Artek. And now that there is, there never needs to be one again because Oliveira and Koenig have done it. In their hands, the Elgar Sonata with rushing tempos and reckless rhythms sounds almost but not quite like music on the edge of an emotional breakdown. In their hands, the Fauré Sonata with its passionate phrasing and dramatic structures sounds almost but not quite like music on the edge of an emotional revelation. But in both works, Oliveira and Koenig kept control of themselves and the music, holding themselves back from histrionics and the music back from hysterics. The result is as fine a coupling of any two violin sonatas ever recorded. Artek's digital sound is just about but not quite as good as the major international labels.
            If there has never been a coupling of Elgar and Fauré's violin sonatas before, there is now in this one by Elmar Oliveira and Robert Koenig on Artek. And now that there is, there never needs to be one again because Oliveira and Koenig have done it. In their hands, the Elgar Sonata with rushing tempos and reckless rhythms sounds almost but not quite like music on the edge of an emotional breakdown. In their hands, the Fauré Sonata with its passionate phrasing and dramatic structures sounds almost but not quite like music on the edge of an emotional revelation. But in both works, Oliveira and Koenig kept control of themselves and the music, holding themselves back from histrionics and the music back from hysterics. The result is as fine a coupling of any two violin sonatas ever recorded. Artek's digital sound is just about but not quite as good as the major international labels.
 
     
     
     
     
     
     
     
    