Bernard Fanning - Tea & Sympathy (20th Anniversary Edition) (2025) [Hi-Res]

Artist: Bernard Fanning
Title: Tea & Sympathy (20th Anniversary Edition)
Year Of Release: 2005 / 2025
Label: Universal Music Australia Pty. Ltd.
Genre: Alternative Rock, Folk Rock
Quality: FLAC (tracks) [44.1kHz/24bit]
Total Time: 1:20:20
Total Size: 893 / 491 MB
WebSite: Album Preview
Tracklist:Title: Tea & Sympathy (20th Anniversary Edition)
Year Of Release: 2005 / 2025
Label: Universal Music Australia Pty. Ltd.
Genre: Alternative Rock, Folk Rock
Quality: FLAC (tracks) [44.1kHz/24bit]
Total Time: 1:20:20
Total Size: 893 / 491 MB
WebSite: Album Preview
Disc 1
1. Bernard Fanning – Thrill Is Gone (03:11)
2. Bernard Fanning – Wish You Well (02:30)
3. Bernard Fanning – Not Finished Just Yet (03:17)
4. Bernard Fanning – Songbird (02:36)
5. Bernard Fanning – Believe (03:07)
6. Bernard Fanning – Which Way Home? (03:21)
7. Bernard Fanning – Wash Me Clean (02:38)
8. Bernard Fanning – Hope And Validation (03:11)
9. Bernard Fanning – Sleeping Rough (04:34)
10. Bernard Fanning – The Strangest Thing (03:14)
11. Bernard Fanning – Further Down The Road (04:41)
12. Bernard Fanning – Down To The River (04:12)
13. Bernard Fanning – Yesterday's Gone (02:35)
14. Bernard Fanning – Watch Over Me (03:30)
Disc 2
1. Bernard Fanning – For You And I (02:56)
2. Bernard Fanning – Steady Job (Demo) (03:47)
3. Bernard Fanning – Watch Over Me (feat. Kasey Chambers & Clare Bowditch) (04:00)
4. Bernard Fanning – Songbird (Acoustic) (02:41)
5. The Paper Kites – Believe (04:25)
6. Bernard Fanning – Weekend Of Mystery (03:22)
7. Bernard Fanning – Thrill Is Gone (Acoustic) (03:23)
8. Bernard Fanning – What A Fool I've Been (01:37)
9. Troy Cassar-Daley & Jem Cassar-Daley – Songbird (03:05)
10. Bernard Fanning – Shelter For My Soul (2025) (04:16)
Review by Andy Whitman
Bernard Fanning is best known as the lead singer/songwriter of Australia's Powderfinger, but on his first solo album he's jettisoned his band's radio-friendly power pop for vintage country-folk, circa 1971. And "country-folk" really is the operative term here, not alt-country, Americana, or any other hip label that may have originated in the past 20 years, because Bernard Fanning's influences are strictly old school. Like a reprise of Stephen Stills' Manassas or Elton John's Tumbleweed Connection, Fanning's solo debut is awash in well-constructed pop songs that are dressed up with mandolins, Dobros, and fiddles. There's a country veneer, but scratch beneath the surface and you'll find some sturdy pop hooks and the kind of laid-back hippie sentiments that wouldn't sound out of place on early-'70s FM radio. Co-produced by Fanning and Tchad Blake (Tom Waits, Crowded House, Peter Gabriel), Tea & Sympathy's 14 songs span the classic country-folk spectrum. The opening "Thrill Is Gone" and later "Hope & Validation" both feature the kind of yearning, soaring vocals and infectious melodies that John tossed off regularly early in his career, while lead single "Wish You Well" and "Sleeping Rough" strongly recall Stills' work, both solo and with Crosby, Stills, Nash & Young. "Wash Me Clean" and closing track "Watch Over Me" show off Fanning's sensitive folkie side, all Jackson Browne earnestness and regret. Fanning is a fine, soulful singer, sounding at times remarkably like an Australian Stephen Stills, and his vocal presence alone merits attention. He also has an easy way with pop hooks. His songwriting is a little too nondescript to register deeply, though. "Thrill Is Gone," "Songbird," "Further Down the Road," and "Yesterday's Gone" all have to be in the running for Most Generic Song Title of All Time, and the sad-sack sentiments of most of these songs of loss and regret don't really improve the recognition factor. It all adds up to a pleasant, well-crafted, and somewhat slight effort.
Bernard Fanning is best known as the lead singer/songwriter of Australia's Powderfinger, but on his first solo album he's jettisoned his band's radio-friendly power pop for vintage country-folk, circa 1971. And "country-folk" really is the operative term here, not alt-country, Americana, or any other hip label that may have originated in the past 20 years, because Bernard Fanning's influences are strictly old school. Like a reprise of Stephen Stills' Manassas or Elton John's Tumbleweed Connection, Fanning's solo debut is awash in well-constructed pop songs that are dressed up with mandolins, Dobros, and fiddles. There's a country veneer, but scratch beneath the surface and you'll find some sturdy pop hooks and the kind of laid-back hippie sentiments that wouldn't sound out of place on early-'70s FM radio. Co-produced by Fanning and Tchad Blake (Tom Waits, Crowded House, Peter Gabriel), Tea & Sympathy's 14 songs span the classic country-folk spectrum. The opening "Thrill Is Gone" and later "Hope & Validation" both feature the kind of yearning, soaring vocals and infectious melodies that John tossed off regularly early in his career, while lead single "Wish You Well" and "Sleeping Rough" strongly recall Stills' work, both solo and with Crosby, Stills, Nash & Young. "Wash Me Clean" and closing track "Watch Over Me" show off Fanning's sensitive folkie side, all Jackson Browne earnestness and regret. Fanning is a fine, soulful singer, sounding at times remarkably like an Australian Stephen Stills, and his vocal presence alone merits attention. He also has an easy way with pop hooks. His songwriting is a little too nondescript to register deeply, though. "Thrill Is Gone," "Songbird," "Further Down the Road," and "Yesterday's Gone" all have to be in the running for Most Generic Song Title of All Time, and the sad-sack sentiments of most of these songs of loss and regret don't really improve the recognition factor. It all adds up to a pleasant, well-crafted, and somewhat slight effort.