Royal Philharmonic Orchestra, Philharmonia Chorus & Vasily Petrenko - Rachmaninoff: The Bells - Elgar: Falstaff (2025) [Hi-Res]

Artist: Royal Philharmonic Orchestra, Philharmonia Chorus, Vasily Petrenko
Title: Rachmaninoff: The Bells - Elgar: Falstaff
Year Of Release: 2025
Label: harmonia mundi
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:12:29
Total Size: 292 MB / 1.24 GB
WebSite: Album Preview
Tracklist:Title: Rachmaninoff: The Bells - Elgar: Falstaff
Year Of Release: 2025
Label: harmonia mundi
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:12:29
Total Size: 292 MB / 1.24 GB
WebSite: Album Preview
1. Rachmaninoff: The Bells, Op. 35: I. The Silver Sleigh Bells. Allegro ma non tanto (6:27)
2. Rachmaninoff: The Bells, Op. 35: II. The Mellow Wedding Bells. Lento (10:19)
3. Rachmaninoff: The Bells, Op. 35: III. The Loud Alarm Bells. Presto (8:30)
4. Rachmaninoff: The Bells, Op. 35: IV. The Mournful Iron Bells. Lento lugubre (10:28)
5. Elgar: Falstaff, Op. 68: I. Falstaff and Prince Henry. Allegro (3:06)
6. Elgar: Falstaff, Op. 68: IIa. Eastcheap. Allegro molto (3:02)
7. Elgar: Falstaff, Op. 68: IIb. Gadshill - The Boar's Head. Allegro molto (9:21)
8. Elgar: Falstaff, Op. 68: IIc. Revelry and Sleep. Molto tranquillo (1:09)
9. Elgar: Falstaff, Op. 68: IId. Dream Interlude. Poco allegretto (2:39)
10. Elgar: Falstaff, Op. 68: IIIa. Falstaff's March. Allegro (2:58)
11. Elgar: Falstaff, Op. 68: IIIb. The Return Through Gloucestershire. Poco sostenuto (1:37)
12. Elgar: Falstaff, Op. 68: IIIc. Interlude. Gloucestershire, Shallow's Orchard. Allegretto (1:44)
13. Elgar: Falstaff, Op. 68: IIId. The New King. Allegro molto - The hurried ride to London (1:04)
14. Elgar: Falstaff, Op. 68: IVa. King Henry V's Progress. Più moderato (3:30)
15. Elgar: Falstaff, Op. 68: IVb. The Repudiation of Falstaff, and his death. Poco più lento (6:38)
To inaugurate their collaboration with harmonia mundi, Vasily Petrenko and the Royal Philharmonic Orchestra have recorded a programme as subtle as it is unexpected, with two seldom-heard masterpieces of 1913. From the bitingly ironic Shakespearian portrait of an ageing knight (Falstaff), to an existential meditation inspired by Poe (The Bells), both these ‘literary’ scores dramatically prolong the enchantments of a dying romanticism.