Guillaume Coppola - Satie amoureux (2025) [Hi-Res] [Dolby Atmos]

Tracklist

01. Je te veux (Piano Version)
02. Valse-Ballet
03. 3 Gymnopédies: No. 3, Lent et grave
04. Gnossiennes: No. 1, Lent
05. Fantaisie-Valse
06. Tendrement
07. Poudre d’or
08. Bonjour Biqui, bonjour !
09. Gnossiennes: No. 4, Lent
10. Gnossiennes: No. 2, Avec étonnement
11. Gnossienne No. 7 (From 3 Morceaux en forme de poire) [Arr. for Piano by Philippe Malhaire]
12. Vexations: Thème de la basse
13. Danses gothiques: No. 1, À l’occasion d’une grande peine
14. Prélude de la porte héroïque du ciel
15. Vexations: Première harmonisation du motif
16. 3 valses distinguées du précieux dégoûté: No. 1, Sa taille
17. 3 valses distinguées du précieux dégoûté: No. 2, Son binocle
18. 3 valses distinguées du précieux dégoûté: No. 3, Ses jambes
19. Piano Sonatine in C Major, Op. 36 No. 1: I. Spiritoso
20. Piano Sonatine in C Major, Op. 36 No. 1: II. Andante
21. Piano Sonatine in C Major, Op. 36 No. 1: III. Vivace
22. Sonatine bureaucratique: I. Allegro
23. Sonatine bureaucratique: II. Andante
24. Sonatine bureaucratique: III. Vivache
25. Vexations: Seconde harmonisation du motif
26. Nocturne No. 6
27. Désespoir agréable
28. Jack-in-the-Box: No. 1, Prélude
29. Le piccadilly
30. La Diva de l’Empire (Arr. for Piano by Hans Ourdine)
31. Rag-Time Parade (Arr. for Piano by Hans Ourdine)
32. 3 Morceaux en forme de poire: VI. En plus. Calme (Arr. for Piano by Philippe Malhaire)
33. 3 Morceaux en forme de poire: VII. Redite. Dans le lent (Arr. for Piano by Philippe Malhaire)

We know Satie as a loner, but it is less well known that Satie had also been in love. He had a brief and stormy affair with the painter Suzanne Valadon. The portrait she made of him is on the cover of this album, as pianist Guillaume Coppola has conceived it as an intimate portrait of the composer, one masked by a veil of modesty or provocation and which lies between antique and oriental inspiration, mystical phases, humour and cabaret. The miniature Bonjour Biqui and the motif of the Vexations possess rare allusions to Valadon and become commas between these chapters, as does Désespoir agréable, whose title alone seems to sum up Satie's life and work.

This tribute is released to mark the centenary of Satie’s death; whilst the famous Gymnopédies and Gnossiennes feature on the programme, the album also presents rare and infrequently recorded discoveries that testify to the richness of the works that the whimsical Satie had created.

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