Vania Dal Maso - Clavis et chorda: 14th & 15th Century Music for Stringed Keyboard Instruments (2025) [Hi-Res]

Tracklist

01. Redeuntes In Re
02. Retrové
03. Bel fiore dança
04. Stüblin etc.
05. Mi ut re ut e c d c: Aliud Mi ut re ut E c d c
06. Tribum quem (After P. de Vitry)
07. C[on] l[agreme] (After J. Ciconia)
08. Con lacrime M.C.C. (After J. Ciconia)
09. [Un fior(e) gentil m'apparse] (After A.Z. da Teramo)
10. Che pena questa (After F. Landini)
11. O ciecho mondo (After J. da Bologna)
12. La dolçe sere (After B. da Padova)
13. Non na el so amante (After J. da Bologna)
14. Mensura trium notarum supra tenorem Frowe al myn hoffen an dyr lyed
15. Mensura duorum notarum eiusdem tenoris
16. Preambulum super g
17. Incipit bo(nus tenor) Leohardi
18. Praeambulum super fa
19. Paumgartner
20. Praeambulum super re
21. Mit ganczem Willen wünsch ich dir
22. En avois
23. Annabasanna 3m
24. Ellend du hast
25. J'ay pris amours
26. Dulongesux (After G. Binchois)
27. Praeambulum super d a f et g
28. Adyen matres belle (After G. Binchois)

Performer and scholar Vania Dal Maso has constructed an innovative programme exploring music for stringed keyboard instruments from the fourteenth and fifteenth centuries. Based on the study and interpretation of sources, both on the instruments’ construction and musical interpretation, she explores the profoundly different sounds and tone-colours of the clavichord, hammered clavicymbalum and clavicytherium. The music ranges widely in forms and genres from across Europe, including music sourced from the oldest-known manuscript for keyboard instruments – the Robertsbridge Codex (c. 1320) – to create the widest possible stylistic panorama of keyboard music of the time.

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