New Orchestra of Washington & Alejandro Hernandez-Valdez - Bespoke: Now Commissions for Chamber Orchestra (2017)

Artist: New Orchestra of Washington, Alejandro Hernandez-Valdez
Title: Bespoke: Now Commissions for Chamber Orchestra
Year Of Release: 2017
Label: Acis
Genre: Classical
Quality: FLAC (tracks)
Total Time: 56:35
Total Size: 247 MB
WebSite: Album Preview
Tracklist:Title: Bespoke: Now Commissions for Chamber Orchestra
Year Of Release: 2017
Label: Acis
Genre: Classical
Quality: FLAC (tracks)
Total Time: 56:35
Total Size: 247 MB
WebSite: Album Preview
1. New Orchestra of Washington & Alejandro Hernandez-Valdez – Chamber Symphony: I. Mechanisms (09:05)
2. New Orchestra of Washington & Alejandro Hernandez-Valdez – Chamber Symphony: II. Time's Arrow (10:27)
3. New Orchestra of Washington & Alejandro Hernandez-Valdez – Chamber Symphony: III. Round and Round (06:53)
4. New Orchestra of Washington, Alejandro Hernandez-Valdez & Marcus Thompson – Shadow Light, Concerto for Viola and Strings (12:31)
5. New Orchestra of Washington & Alejandro Hernandez-Valdez – Elastic Band, Version for Chamber Orchestra: I. Rise (05:35)
6. New Orchestra of Washington & Alejandro Hernandez-Valdez – Elastic Band, Version for Chamber Orchestra: II. Pure Happenchance (04:26)
7. New Orchestra of Washington & Alejandro Hernandez-Valdez – Elastic Band, Version for Chamber Orchestra: III. Stretch: Snap Back! (07:34)
“Julian Wachner’s 2014 Chamber Symphony…inaugurates a vibrant and urgent degree of instrumental colour and sonority, as well as exciting, biting rhythms that explore elements of minimalism.enjoyable, engaging and very listenable… This is a rhythmically vital and imaginatively conceived work.
Elena Ruehr’s Shadow Light…is veiled in a rather beautiful melancholy that excludes any hint of the saccharine; a romantic fabric that unerringly leads through moments of drama to a structurally cohesive, thoroughly ‘felt’ conclusion.
The shifting meters in the finale [of Joel Phillip Friedman’s Elastic Band] are part of a full-on, sonically wild Rondo, complete with enticing jazzy lope from the clarinet – Jeremy Eig should be mentioned here for his fine playing - and a slightly sleazy air to the proceedings. This is certainly the most demotic and outgoing of the three pieces.”
Jonathan Woolf, Musicweb International
Elena Ruehr’s Shadow Light…is veiled in a rather beautiful melancholy that excludes any hint of the saccharine; a romantic fabric that unerringly leads through moments of drama to a structurally cohesive, thoroughly ‘felt’ conclusion.
The shifting meters in the finale [of Joel Phillip Friedman’s Elastic Band] are part of a full-on, sonically wild Rondo, complete with enticing jazzy lope from the clarinet – Jeremy Eig should be mentioned here for his fine playing - and a slightly sleazy air to the proceedings. This is certainly the most demotic and outgoing of the three pieces.”
Jonathan Woolf, Musicweb International