Zuzana Růžičková, Miloslav Klement, Karel Klement, Prague Chamber Soloists, Václav Neumann - J.S. Bach: Harpsichord Concertos (2017)
Artist: Zuzana Růžičková, Miloslav Klement, Karel Klement, Prague Chamber Soloists, Václav Neumann
Title: J.S. Bach: Harpsichord Concertos
Year Of Release: 2017
Label: Supraphon
Genre: Classical
Quality: FLAC (tracks)
Total Time: 02:10:34
Total Size: 755 Mb
WebSite: Album Preview
Tracklist:Title: J.S. Bach: Harpsichord Concertos
Year Of Release: 2017
Label: Supraphon
Genre: Classical
Quality: FLAC (tracks)
Total Time: 02:10:34
Total Size: 755 Mb
WebSite: Album Preview
01. Harpsichord Concerto No. 1 in D-Sharp Minor, .: I. Allegro (00:09:12)
02. Harpsichord Concerto No. 1 in D-Sharp Minor, .: II. Adagio (00:08:38)
03. Harpsichord Concerto No. 1 in D-Sharp Minor, .: III. Allegro (00:09:27)
04. Harpsichord Concerto No. 2 in E-Sharp Major, .: II. (Allegro) (00:09:06)
05. Harpsichord Concerto No. 2 in E-Sharp Major, .: III. Siciliano (00:07:36)
06. Harpsichord Concerto No. 2 in E-Sharp Major, .: IV. Allegro (00:07:42)
07. Harpsichord Concerto No. 3 in D-Sharp Major, .: I. (Allegro) (00:08:41)
08. Harpsichord Concerto No. 3 in D-Sharp Major, .: IV. Adagio e piano sempre (00:06:40)
09. Harpsichord Concerto No. 3 in D-Sharp Major, .: V. Allegro (00:03:05)
10. Harpsichord Concerto No. 4 in A-Sharp Major, .: I. Allegro (00:04:57)
11. Harpsichord Concerto No. 4 in A-Sharp Major, .: II. Larghetto (00:05:56)
12. Harpsichord Concerto No. 4 in A-Sharp Major, .: III. Allegro ma non tanto (00:04:22)
13. Harpsichord Concerto No. 5 in F-Sharp Minor, .: I. (Allegro) (00:03:18)
14. Harpsichord Concerto No. 5 in F-Sharp Minor, .: III. Largo (00:03:28)
15. Harpsichord Concerto No. 5 in F-Sharp Minor, .: IV. Presto (00:04:10)
16. Harpsichord Concert No. 6 in F-Sharp Major, .: II. (Allegro) (00:08:24)
17. Harpsichord Concert No. 6 in F-Sharp Major, .: III. Andante (00:04:43)
18. Harpsichord Concert No. 6 in F-Sharp Major, .: IV. Allegro assai (00:05:53)
19. Harpsichord Concerto No. 7 in G-Sharp Minor, .: I. (Allegro) (00:04:14)
20. Harpsichord Concerto No. 7 in G-Sharp Minor, .: II. Andante (00:06:37)
21. Harpsichord Concerto No. 7 in G-Sharp Minor, .: III. Allegro assai (00:04:25)
Total length: 02:10:34
Label: SUPRAPHON a.s.
Performers:
Zuzana Růžičková (harpsichord) & Miloslav Klement
Karel Klement (recorder)
Prague Chamber Soloists
Václav Neumann
Recorded in Prague at the Rudolfinum, December 19–23, 1966 (Concertos Nos 3 and 4), June 27–28, 1967 (No. 6), June 30, 1967 (No. 7), July 1, 1967 (No. 5), September 14 and 19, 1968 (Nos 1 and 2)
Bach saved my life… You always feel in his music that God is present somehow.” This is not empty declamation. It is a deep confession of harpsichord player Zuzana Růžičková, a survivor of the inconceivable horrors of the Nazi concentration camps. She always felt that Bach’s music was one of the things that helped her survive.
Zuzana Růžičková gave new life to Bach’s music by persistently promoting the use of harpsichord (as opposed to commonly used piano) in performing Bach repertoire in concert. She was the very first person to initiate the gigantic project of recording the complete harpsichord concertos composed by Bach.
Zuzana Růžičková understands the deep inner order and the hidden emotionality of Bach’s music so well that her recordings of his works remain no less inspiring at the present time.
Bach saved my life… You always feel in his music that God is present somehow.” This is not empty declamation. It is a deep confession of harpsichord player Zuzana Růžičková, a survivor of the inconceivable horrors of the Nazi concentration camps. She always felt that Bach’s music was one of the things that helped her survive.
Zuzana Růžičková gave new life to Bach’s music by persistently promoting the use of harpsichord (as opposed to commonly used piano) in performing Bach repertoire in concert. She was the very first person to initiate the gigantic project of recording the complete harpsichord concertos composed by Bach.
Zuzana Růžičková understands the deep inner order and the hidden emotionality of Bach’s music so well that her recordings of his works remain no less inspiring at the present time.
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