Naomi Ashley – Love Bug (2024) Hi-Res

Artist: Naomi Ashley
Title: Love Bug
Year Of Release: 2024
Label: 2656570 Records DK2
Genre: Folk Rock, Americana, Alt-Country, Singer-Songwriter
Quality: Mp3 320 / Flac (tracks, 16bit/44,1kHz) / Flac (tracks, 24bit/96kHz)
Total Time: 36:15
Total Size: 89/233/586 Mb
WebSite: Album Preview
Tracklist:Title: Love Bug
Year Of Release: 2024
Label: 2656570 Records DK2
Genre: Folk Rock, Americana, Alt-Country, Singer-Songwriter
Quality: Mp3 320 / Flac (tracks, 16bit/44,1kHz) / Flac (tracks, 24bit/96kHz)
Total Time: 36:15
Total Size: 89/233/586 Mb
WebSite: Album Preview
01. Love Bug 4:48
02. Same Mistake 3:37
03. Seeds of Doubt 4:39
04. Other Side 3:06
05. Here's to Us 2:55
06. I Wanna Know Everything 4:21
07. Keep My Secrets 3:32
08. Bits and Pieces 2:32
09. Sometime 3:21
10. My Friend James 3:26
Naomi Ashley – vocals, guitars
Jon Williams – vocals, guitars, keyboards
Josh Piet – bass
Jason Batchko – drums
Brian Wilkie – pedal steel (Keep My Secrets, Sometime)
Matthew Pittman – slide guitar (Same Mistake)
The lyrics of country/roots music artist Naomi Ashley are poetic, instantly memorable—and they express wisdom of many different kinds. Ashley sings them in a voice that is pure lyrical honey. She is an excellent songwriter, breezing easily among traditional music styles. And she attracts highly capable musicians who share with her a soulful and highly skilled approach to playing. Ashley releases new albums just every so often, but they are always a highlight of whichever year they are released. That is the case with her newest effort, Love Bug.
Dry wit is a signature element of Ashley’s writing—usually expressed in understatements or asides. On Love Bug, a playful sense of humor is at the center of some of the songs, none more so than the album’s title track. It wryly begins with a mid-century burlesque drum intro...
Dry wit is a signature element of Ashley’s writing—usually expressed in understatements or asides. On Love Bug, a playful sense of humor is at the center of some of the songs, none more so than the album’s title track. It wryly begins with a mid-century burlesque drum intro...