Callum Knox, Chapel Choir of the Royal Hospital Chelsea & William Vann - Light Out Of Darkness (2026) Hi-Res

Artist: Callum Knox, Chapel Choir of the Royal Hospital Chelsea, William Vann
Title: Light Out Of Darkness
Year Of Release: 2026
Label: SOMM Recordings
Genre: Classical
Quality: FLAC 16/24 Bit (96 KHz / tracks+booklet)
Total Time: 77:27 min
Total Size: 295 MB / 1,3 GB
WebSite: Album Preview
Tracklist:Title: Light Out Of Darkness
Year Of Release: 2026
Label: SOMM Recordings
Genre: Classical
Quality: FLAC 16/24 Bit (96 KHz / tracks+booklet)
Total Time: 77:27 min
Total Size: 295 MB / 1,3 GB
WebSite: Album Preview
01. Chorus. Light out of darkness
02. Prologue. The Spirit of the Lord is upon me
03. Psalm 51
04. Praise ye the Lord
05. Great is the Lord, Op. 67
06. No. 2, Deep in my soul
07. No. 3, O wild West Wind!
08. No. 1, Love’s Tempest
09. No. 2, Serenade
10. Go, Song of Mine, Op. 57
11. How calmly the evening
12. Stabat Mater
13. Ecce sacerdos magnus
14. O Salutaris Hostia in G Major
15. O Salutaris Hostia No. 1 in E
16. O Salutaris Hostia No. 2 in E
17. Chorus. Light of the World, we know Thy praise
18. God Save the King (Arr. for Choir & Organ by Edward Elgar)
In January 2026 The Elgar Society marks its 75th anniversary, and SOMM Recordings celebrates the event with several Elgar releases in gratitude for the society’s generous support and encouragement from 1998 to the present day. Light Out of Darkness, Choral Music by Elgar was recorded in February 2025, with the support of The Elgar Society, and continues the inspired journey of the composer’s musical development in a series of widely acclaimed releases by SOMM. This present release includes five world-premiere recordings.
Light Out of Darkness features the Chapel Choir of the Royal Hospital Chelsea conducted by their Music Director, the multiple prize-winning conductor and pianist William Vann. This follows their hugely successful first recording of Elgar’s choral works for SOMM, The Reeds by Severn Side [SOMMCD 0278]. The featured organist is Callum Knox, an emerging talent from Australia.
Edward Elgar (1857–1934) had an unorthodox musical education that turned out to be a fertile training ground for his evolution into one of the most important composers of the Victorian and Edwardian eras. He “learned on the job,” so to speak, studying scores and instruction manuals in his father’s music shop; assisting his father who played the organ at Worcester’s St George’s Church; and graduating to organist for St George’s in 1885.
From these early years come world-premiere recordings of the hymn Praise ye the Lord, 1878, and the first of Elgar’s seven settings of Thomas Aquinas’s O Salutaris Hostia composed c.1877. Two later versions—from c.1880 (dedicated “To my father – with affection”) and 1882—are also included here. This last is another world-premiere recording, as is Elgar’s a cappella setting of the Stabat Mater from 1886. In 1888, now aged 31, Elgar composed the dignified Ecce sacerdos magnus(Behold a great priest) for a visit to St. George’s by the newly installed Bishop of Birmingham.
Light Out of Darkness features the Chapel Choir of the Royal Hospital Chelsea conducted by their Music Director, the multiple prize-winning conductor and pianist William Vann. This follows their hugely successful first recording of Elgar’s choral works for SOMM, The Reeds by Severn Side [SOMMCD 0278]. The featured organist is Callum Knox, an emerging talent from Australia.
Edward Elgar (1857–1934) had an unorthodox musical education that turned out to be a fertile training ground for his evolution into one of the most important composers of the Victorian and Edwardian eras. He “learned on the job,” so to speak, studying scores and instruction manuals in his father’s music shop; assisting his father who played the organ at Worcester’s St George’s Church; and graduating to organist for St George’s in 1885.
From these early years come world-premiere recordings of the hymn Praise ye the Lord, 1878, and the first of Elgar’s seven settings of Thomas Aquinas’s O Salutaris Hostia composed c.1877. Two later versions—from c.1880 (dedicated “To my father – with affection”) and 1882—are also included here. This last is another world-premiere recording, as is Elgar’s a cappella setting of the Stabat Mater from 1886. In 1888, now aged 31, Elgar composed the dignified Ecce sacerdos magnus(Behold a great priest) for a visit to St. George’s by the newly installed Bishop of Birmingham.