Soulima Stravinsky - Soulima Stravinsky Rediscovered (2026) [Hi-Res]

Tracklist

01. Quatre Etudes, Op. 7, K. 9: I. Con moto
02. Quatre Etudes, Op. 7, K. 9: II. Allegro brillante
03. Quatre Etudes, Op. 7, K. 9: III. Andantino
04. Quatre Etudes, Op. 7, K. 9: IV. Vivo
05. Piano-Rag-Music, K.32
06. Les Cinq Doigts, K. 37: I. Andantino
07. Les Cinq Doigts, K. 37: II. Allegro
08. Les Cinq Doigts, K. 37: III. Allegretto
09. Les Cinq Doigts, K. 37: IV. Larghetto
10. Les Cinq Doigts, K. 37: V. Moderato
11. Les Cinq Doigts, K. 37: VI. Lento
12. Les Cinq Doigts, K. 37: VII. Vivo
13. Les Cinq Doigts, K. 37: VIII. Pesante
14. Sonate, K. 43: I.
15. Sonate, K. 43: II. Adagietto
16. Sonate, K. 43: III.
17. Sérénade en la, K.44: I. Hymne
18. Sérénade en la, K.44: II. Romanza
19. Sérénade en la, K.44: III. Rondoletto
20. Sérénade en la, K.44: IV. Cadenza Finala
21. Tango, K. 62
22. Three Fairy Tales, Cinderella: I. Prologue. Once Upon A Time…
23. Three Fairy Tales, Cinderella: II. The Two Wicked Sisters
24. Three Fairy Tales, Cinderella: III. Cinderella's Laments
25. Three Fairy Tales, Cinderella: IV. The Fairy Appears
26. Three Fairy Tales, Cinderella: V. Cinderella Dances With The Prince
27. Three Fairy Tales, Cinderella: VI. Cinderella's Flight
28. Three Fairy Tales, Cinderella: VII. Wedding Bells
29. Three Fairy Tales, Jack And The Beanstalk: I. Jack And His Mother
30. Three Fairy Tales, Jack And The Beanstalk: II. Jack And The Magic Beans
31. Three Fairy Tales, Jack And The Beanstalk: III. The Beanstalk Is Growing
32. Three Fairy Tales, Jack And The Beanstalk: IV. The Enchanted Castle And The Wicked Giant
33. Three Fairy Tales, Jack And The Beanstalk: V. The Magic Harp
34. Three Fairy Tales, Jack And The Beanstalk: VI. The Hen And The Golden Eggs
35. Three Fairy Tales, Jack And The Beanstalk: VII. No Longer Poor, Jack And His Mother Live Happily Thereafter
36. Three Fairy Tales, The Sleeping Beauty: I. Prologue. A Princess Is Born
37. Three Fairy Tales, The Sleeping Beauty: II. The Spindle
38. Three Fairy Tales, The Sleeping Beauty: III. Berceuse. …A Hundred Years Of Sleep
39. Three Fairy Tales, The Sleeping Beauty: IV. The Prince's Hunt
40. Three Fairy Tales, The Sleeping Beauty: V. Duo D'amore. The Prince Awakes The Beauty They Pledge Eternal Love
41. Sonatina Sesta, on themes by G. de Machaut. Tema con Variazioni: I. Tema
42. Sonatina Sesta, on themes by G. de Machaut. Tema con Variazioni: Var 1
43. Sonatina Sesta, on themes by G. de Machaut. Tema con Variazioni: Var 2
44. Sonatina Sesta, on themes by G. de Machaut. Tema con Variazioni: Var 3
45. Sonatina Sesta, on themes by G. de Machaut. Tema con Variazioni: Var 4
46. Sonatina Sesta, on themes by G. de Machaut. Tema con Variazioni: II. Fughetta
47. Sonatina Sesta, on themes by G. de Machaut. Tema con Variazioni: III. Ronde
48. Piano Variations, First Series: I. Prelude
49. Piano Variations, First Series: II. Forlane
50. Piano Variations, First Series: III. Stanza
51. Piano Variations, First Series: IV. Piccolo Divertimento
52. Piano Variations, First Series: V. In Modo Russo
53. Piano Variations, First Series: VI. Les Vales
54. Piano Variations, Second Series: I. Eleven Tones
55. Piano Variations, Second Series: II. Metrics
56. Piano Variations, Second Series: III. Twelve Tones
57. Piano Variations, Second Series: IV. Pavana



Soulima Stravinsky was the third child of Igor and Yekaterina Stravinsky. His career in music encompassed performing as a recitalist and concerto soloist, particularly noted for interpretations of his father’s music, musicology, education, and composition. Soulima’s performing career was slowly expanded with achievements as a transcriber, editor, author, and composer. Although in the later endeavour his work was inevitably over-shadowed by his father’s towering reputation. Soulima had a particular gift for composing music for children. He made two visits to the Nimbus Studios, in 1975 to record these performances of his father’s music, and in 1977 to record his own music for children. This is the first release of these fine performances, fascinating not least for their specific historic significance.

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